PTEq-X - 1.1.0 - Emulation of a block of three equalizers Pultec MQ5 - PEQ1A - HL3C
The Emissary is a digital emulation of a custom dual channel guitar tube amplifier. It has been developed to accurately model its real hardware counterpart, built for Ryan Huthnance (The Seer / Gaped / Chrome Bison / Emissary Studios) by Ignite Amps, in 2014.
It is a no compromise custom amp built for the kill. Featuring a very versatile clean channel that ranges from pristine cleans to slightly overdriven tones and a mean lead channel designed for serious bone-crushing distortions, it offers a very wide tonal palette for the modern metal musician.
The plug-in GUI has been 3D modeled and rendered by Voger Design, in order to resemble the real amplifier as much as possible.
The Emissary is meant to be used as a virtual guitar amplifier for live playing and jamming, tracking or mixing inside hosts capable of VST or AU Plug-Ins support.
Features
Ignite Amps 3rd generation triode modeling engine
Dynamic EL34 / 6L6GC / KT88 pentodes/tetrodes analog modeling (push-pull stage)
Two channels: clean and lead, each with fully separated controls
Selectable power tubes with individual bias controls
Selectable oversampling rate (up to 8x)
Global input / output level controls
Double precision (64-bit) floating point mathematical model
Mono / Stereo processing support
Fully automatable controls
Ignite Amps proprietary preset management system with bank file import/export functions
NadIR is a zero latency, dual Impulse Response (IR) convolver, designed to be used as a cabinet simulator for guitar and bass (pre)amplifiers (VST/VST3/AU or even hardware).
It has been designed to perform pristine quality convolution in real time, while being light on the CPU and easy to use, providing advanced built-in filters and delay controls to let guitarists and bassists shape their tone with ease, without the need to be professional audio engineers.
NadIR is meant to be used as a cabinet simulator for live playing and jamming, tracking or mixing inside hosts capable of VST/VST3 or AU Plug-Ins support.
Features
Zero Latency
Low CPU usage
Three routing modes: Mono, Dual Mono and Stereo
Selectable quality control for max IR length (up to 0.5 seconds)
Automatic high-quality resampling for IRs with different sampling rates
High-quality analog shaped filters
Selectable delay for phase interactions between loaded IRs
Resonance for power-amp/speaker interaction control
Algorithmic room reverb for far mic'ing simulation
Continuous morphing control between loaded IRs
Global input/output level and single IR level controls
Fully automatable controls
Ignite Amps proprietary preset management system with bank file import/export functions
Bundled with studio quality cab IRs and presets
ProF.E.T. is a digital emulation of a high gain distortion preamp/stomp-box for guitar. It has been developed to accurately model its real hardware counterpart, designed and built by Ignite Amps in 2018.
The ProF.E.T. core circuit is capable of delivering tons of tube-like saturation using carefully tuned JFET based gain stages and filters to keep the distortion aggressive and rich with harmonics.
A 4 controls based tonestack with 2 different modes ensures maximum versatility and tone shaping options, whether you use the ProF.E.T. as a preamp or a distortion unit in front of a clean amplifier.
The ProF.E.T. scored the 1st place in the KVR Developer Challenge 2018.
Features
Ignite Amps proprietary JFET non-linear modeling engine
4 controls tonestack with additional Shape switch
Mono / Stereo processing support
Selectable oversampling rate (up to 8x)
Global input / output level controls
Double precision (64-bit) floating point mathematical model
Fully automatable controls
Ignite Amps proprietary preset management system with bank file import/export functions
NRR-1 is a digital emulation of a three channels tube preamplifier for guitar. It has been developed to accurately model its real hardware counterpart, built for then Fleshgod Apocalypse guitarist Cristiano Trionfera by Ignite Amps, back in 2009.
The NRR-1 core circuit is mainly based on a famous boutique preamplifier made in '88, modded to suit Cristiano's needs in the best possible way.
Features
Ignite Amps 3rd generation triode modeling engine
Three channels: clean, rhythm and lead, each with fully separated controls
Mono / Stereo processing support
Selectable oversampling rate (up to 8x)
Global input / output level controls
Double precision (64-bit) floating point mathematical model
Fully automatable controls
Ignite Amps proprietary preset management system with bank file import/export functions
The Anvil is a digital emulation of a three channels tube preamplifier for guitar. It has been developed to accurately model its real hardware counterpart, designed by Andy Zeugs.
The Anvil has three completely independent channels, with different signal paths and separate tonestack controls, to maximize its versatility:
The Clean channel is inspired by the classic Californian circuits and provides crystal clear tones even at high gain settings.
The Rhythm channel has a hot-rodded British character, varying from mild crunch to hi-gain distortion.
The Lead channel provides super-tight metal tones, retaining accuracy and responsiveness even at very high gain settings.
The Anvil is meant to be used as a guitar preamplifier for live playing and jamming, tracking or mixing inside hosts capable of VST, VST3 or AU plug-ins support.
Features
Ignite Amps 3rd generation triode modeling engine
Three channels: clean, rhythm and lead, each with fully separated controls
Mono / Stereo processing support
Selectable oversampling rate (up to 8x)
Global input / output level controls
Double precision (64-bit) floating point mathematical model
Fully automatable controls
Ignite Amps proprietary preset management system with bank file import/export functions
The TPA-1 is a digital emulation of a class AB tube power amplifier for guitar.
It has been designed and developed to be paired with any guitar preamp (VST/AU or even hardware).
Its circuit is not based on any particular physical power amplifier, but it has been designed to have enough versatility to range from vintage to modern tones, letting the user be free to shape its dynamic behaviour with ease, without the need to be a tube amplifier tech.
The TPA-1 is meant to be used as a guitar tube power amplifier simulator for live playing and jamming, tracking or mixing inside hosts capable of VST or AU Plug-Ins support.
Features
Dynamic EL34 / 6L6GC / KT88 pentodes/tetrodes analog modeling (push-pull stage)
Dynamic ECC83 / 12AX7 triode analog modeling (phase inverter stage)
Mono / Stereo processing support
Selectable oversampling rate (up to 8x)
Global input / output level controls
Double precision (64-bit) floating point mathematical model
Fully automatable controls
SHB-1 is based on the real SHB-1 "Extreme Bass Head", built by Ignite Amps for Federico Fulceri, a bass player of the Italian thrashers Subhuman, featuring 6 triode stages and a 1300W Class D power-amp.
SHB-1 is meant to be used as a bass amplifier for live playing and jamming, tracking or mixing inside hosts capable of VST or AU plug-ins support.
Features
Dynamic 12AX7 / ECC83 coupled triode stages analog modeling.
Mono / Stereo processing support
Selectable oversampling rate (up to 8x)
Global input / output level controls
Double precision (64-bit) floating point mathematical model
Fully automatable controls
PTEq-X is a digital emulation of 3 famous vintage passive program equalizers.
It has been developed to have all the characteristics of the original hardware, plus some circuit improvements and additional features to increase its versatility.
PTEq-X is meant to be used as a studio equalizer for tracking, mixing and mastering inside hosts capable of VST or AU Plug-Ins support.
Features
Three different equalization modules with perfectly analog curve response even at highest frequencies
Ignite Amps 3rd generation triode stage analog modeling for 4 different tube types
Additional selectable frequencies for the PEQ1A model, compared to the original design
Refined filters frequency precision for the MQ5 and HL3C models, compared to the original design
Switchable equalizers and tube stage modeling for better CPU usage management
Switchable linear phase oversampling for aliasing reduction
Global input / output level controls
Mono / Stereo processing support
Double precision (64-bit) floating point processing
Fully automatable controls
Ignite Amps proprietary preset management system with bank file import/export functions
The TSB-1 Tyrant Screamer is inspired by the most famous green "808" overdrive pedal, with additional features to increase its versatility and make it suitable for extremely down tuned guitars.
It can easily add dirt and bite to clean and overdriven guitar tones, as well as make the amplifier lead tone sound tighter, more focused and more responsive to picking, avoiding low-end muddiness and high-end fizz.
The TSB-1 Tyrant Screamer plug-in is based on the real pedal built by Ignite Amps for the guitarists Hadi Sarieddine and Mohammed Gad of Benevolent.
Features
Dynamic 2N3904 Bipolar Junction Transistors stages analog modeling
Dynamic 1N4148 diode circuit analog modeling
Mono / Stereo processing support
Selectable oversampling rate (up to 8x)
Double precision (64-bit) floating point internal processing
Fully automatable controls
TS-999 SubScreamer is a digital emulation of an overdrive pedal for guitar. It has been developed to accurately model its real hardware counterpart, built for Subhuman guitarists Matteo Buti and Elia Murgia by Ignite Amps in 2010.
The TS-999 core circuit is inspired by the most famous green "808" overdrive pedal, with additional features to increase its versatility. It can easily add dirt and bite to clean guitar tones, as well as make the amplifier distortion sound tighter, more focused and more responsive to picking, avoiding low-end muddiness and high-end fizz.
TS-999 is meant to be used as an overdrive pedal for live playing, tracking or mixing inside hosts capable of VST or AU Plug-Ins support.
Features
Dynamic 2N3904 BJT input and output buffers analog modeling
Dynamic 1N4148 diode clipping circuit analog modeling
Op-amp saturation analog modeling
Symmetric / Asymmetric clipping mode
Normal / Fat bass response mode
Mono / Stereo processing support
Switchable Input and Output Buffer modeling to decrease CPU usage
Selectable oversampling rate (up to 8x)
Double precision (64-bit) floating point mathematical model
Fully automatable controls
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