Guitar Rig 4 Pro (instalação - file instalation)

Guitar Rig 4 Pro - Versão Instalação

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Tamanho: 282 MB

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Guitar Rig 4 USB

Guitar Rig 4 USB-BEAT

This is Guitar Rig 4 made portable to run off a USB stick.

Big thanks to Hardlock and TEAM BEAT

Enjoy!

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Portable Chromatia Tuner v3.3

Portable Chromatia Tuner v3.3

Instrument tuner

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Kuassa Amplifikation One 1.0.0 [VST]

Kuassa, Inc. is proud to announce the immediate availability of Kuassa Amplifikation One V 1.0.0. Kuassa Amplifikation One is a guitar software amp suite which finally help you to build great tracks immediately without any obstructive workflow or confusing parameters. Kuassa Amplifikation One is a guitar amplifier in the form of software. This “guitar amp on your PC” captures the dynamics and characteristics of hardware distortion modules, head amplifiers, and cabinets, captured by various types of microphones in multiple configurations. Kuassa Amplifikation One is not an emulation or modeled after specific amplifier, we try to capture the best aspect of schematic designs, tubes, electronics and computer programming to achieve the supreme tone for your guitar through your personal computer while maintaining the user interface as easy as possible. Stop messing around with your gears, get productive!. Users are able to control every aspects of the software just like real amplifiers including (but not limited to) gain structure, tone, mic position, and distance.

Features:

* Straightforward and easy to use user interface.

* 8 head amplifiers, noise gate and 5 distortion modules.

* 5 cabinet models, users are able to use 2 cabs simultaneously.

* 5 microphone types (straight or angled).

* Mic distance and free positioning of mic around the speaker.

* Dedicated input and output volume control.

* Saturation, output limiter and up to high quality 4x maximum oversampling to the amp calculation

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Albert Lee - Live From Mars (2004)

Albert Lee - Live From Mars (2004)

1. Country Boy

2. Tear Stained Letter

3. Luxury Liner

4. Evangelina

5. Till I Gain Control Again

6. Restless

7. My Baby Thinks He's A Train

8. Just Because

9. Seventeenth Summer

10. Tear It Up

11. Tiger Rag (Bonus Track)

Download :

PARTE I

PARTE II

The James Gang

The James Gang

De início, a biografia da banda, extraída do catálogo “Rock em CD - O guia definitivo”, ed. 92/93, publicado pela Editora Azul em novembro de 1992.
“Fundada em 67 por Jim Fox (bateria), Tom Kriss (baixo) e Glen Schwartz (guitarra), a James Gang só veio a ganhar notoriedade após a substituição de Schwartz pelo novato Joe Walsh. Essa formação registrou o álbum Yer Album, em que o material composto por Walsh alternava-se a covers dos Yardbirds (‘Lost Woman’) e Buffalo Springfield (‘Bluebird’).
“No período 60-71, o grupo consolidou-se como o autêntico power-trio que era, com Walsh sendo saudado como um dos melhores guitarristas da época – o próprio Pete Townshend chegou a declarar que jamais havia visto alguém tocar como ele. O pique da carreira do James Gang veio com Live At Carnegie Hall. Logo após sua conclusão, Jose Walsh decidiu sair e atuar como artista solo.
Os remanescentes do James Gang insistiram com novos guitarristas (Domenic Troiano e Tommy Bolin), mas jamais se aproximaram da energia dos primeiros tempos. Por seu turno, Walsh estabeleceu uma produção constante, mantendo-se na ativa até hoje.”
Maiores informações sobre a banda, especialmente sobre a sua história, podem ser obtidas nos seguintes endereços:
a) http://whiplash.net/materias/poeira/044541-jamesgang.html
b) http://whiplash.net/materias/biografias/039011-jamesgang.html
c) http://pt.wikipedia.org/wiki/James_Gang
d) http://www.jamesgangridesagain.com (site oficial da James Gang).


Discos por ordem do primeiro lançamento (quando houve mais de um):














(1969) Yer’ Album

Tracks:
1. Introduction (DeCoteaux, Fox, Szymczyk) 0:40
2. Take A Look Around (Strong, Walsh, Whitfield) 6:18
3. Funk #48 (Fox, Kriss, Walsh) 2:46
4. Bluebird (Stills) 6:02
5. Lost Woman (Dreja, Beck, McCarty, Relf, Samwell-Smith) 9:06
6. Stone Rap (Fox, Kriss, Szymczyk, Walsh) 1:00
7. Collage (Cullie, Walsh) 4:02
8. I Don’t Have The Time (Fox, Walsh) 2:49
9. Wrapcity In English [instrumental] (Walsh) 0:57
10. Fred (Paxton, Walsh) 4:09
11. Stop (Ragovoy, Schuman) 12:04
Personnel:
Jim Fox: Organ, Drums, Keyboards, Vocals
Tom Kriss: Bass, Flute, Choir, Chorus, Vibraphone, Vibe Master
Joe Walsh: Guitar, Piano, Keyboards, Vocals
Bill Szymczyk: Organ, Maracas, Tambourine, Choir, Chorus

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[SB] [114MB @320kbps]















(1970) Rides Again

Tracks:
1. Funk #49 (Fox, Peters, Walsh) 3:54
2. Asshtonpark (Fox, Peters, Walsh) 2:01
3. Woman (Fox, Peters, Walsh) 4:37
4. The Bomber: Closet Queen (Fox, Peters, Walsh) - Cast Your Fate To The Wind (Guaraldi, Werber) 5:40
5. Tend My Garden (Walsh) 5:45
6. Garden Gate (Walsh) 1:36
7. There I Go Again (Walsh) 2:51
8. Thanks (Johnston, Walsh) 2:21
9. Ashes, The Rain And I (Walsh, Peters) 5:00
Personnel:
Jim Fox: Organ, Percussion, Drums, Keyboards, Vocals
Dale Peters: Bass, Guitar, Percussion, Vocals
Joe Walsh: Guitar, Keyboards, Vocals
Rusty Young: Pedal Steel, Guitar (Steel)

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[MR] [45MB @192kbps]















(1971) Thirds

Tracks:
1. Walk Away (Walsh) 3:32
2. Yadig? (Fox, Peters, Walsh) 2:32
3. Things I Could Be (Fox) 4:18
4. Dreamin’ In The Country (Peters) 2:59
5. It’s All The Same (Walsh) 4:12
6. Midnight Man (Walsh) 3:28
7. Again (Walsh) 4:03
8. White Man/Black Man (Peters) 5:38
9. Live My Life Again (Fox) 5:25
Personnel:
Jim Fox: Organ, Drums, Keyboards, Vibraphone, Tack Piano, Vocals
Dale Peters Bass, Percussion, Vocals, Vocals (bckgr)
Joe Walsh: Guitar, Piano, Pedal Steel, Keyboards, Piano (Electric), Sound Effects, Vocals
Mary Sterpka: Vocals, Vocals (bckgr), Soloist
The Sweet Inspirations: Vocals
Bob Webb: Guitar, Vocals, Vocals (bckgr)
Tom Baker: Horn

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[SB] [83MB @320kbps]















(1971) Live In Concert

Tracks:
1. Stop (Ragovoy, Schuman) 4:05
2. You’re Gonna Need Me (King) 7:32
3. Take A Look Around (Walsh) 3:36
4. Tend My Garden (Walsh) 3:47
5. Ashes, The Rain And I (Walsh, Peters) 2:45
6. Walk Away (Walsh) 3:36
7. Lost Woman (Dreja, Beck, Relf, McCarty, Samwell-Smith) 17:39
Personnel:
Jim Fox: Organ, Drums, Keyboards, Vocals
Dale Peters Bass, Percussion, Vocals
Joe Walsh: Guitar, Keyboards, Vocals

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[MR] [60MB @192kbps]















(1972) Passin’ Thru

Tracks:
1. Ain’t Seen Nothing Yet (Kenner) 2:59
2. One Way Street (Troiano) 4:36
3. Had Enough (Kenner) 2:59
4. Up To Yourself (Troiano) 2:43
5. Everybody Needs A Hero (Kenner, Troiano) 6:06
6. Run, Run, Run (Kenner, Troiano) 3:44
7. Things I Want To Say To You (Troiano) 3:41
8. Out Of Control (Troiano) 3:39
9. Drifting Girl (Kenner, Troiano) 5:09
Personnel:
Jim Fox: Drums, Organ (“Had Enough”), Background Vocals (“Everybody Needs A Hero)
Dale Peters: Bass, Background Vocals
Domenic Troiano: Lead Guitar, Background Vocals
Roy Kenner: Lead Vocals, Background Vocals, Percussion, Harmonica (“One Way Street”)
Charlie McCoy: Harmonica (“Run, Run, Run”)
Weldon Myric: Pedal Steel Guitar
Dave Briggs: Piano (“Ain’t Seen Nothing Yet”, “Drifting Girl”)
William Smith: Organ, Clavinet, Piano (“Everybody Needs A Hero”), Harpsichord (“Things I Want To Say To You”)

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[MR] [79MB @320kbps]















(1972) Straight Shooter

Tracks:
1. Madness (Kenner, Troiano) 3:13
2. Kick Back Man (Kenner, Troiano) 4:51
3. Get Her Back Again (Troiano) 2:45
4. Looking For My Lady (Kenner, Troiano) 2:53
5. Getting Old (Troiano) 3:46
6. I’ll Tell You Why (Peters, Troiano) 3:53
7. Hairy Hypochondriac (Kenner, Peters, Troiano) 2:57
8. Let Me Come Home (Peters, Troiano) 4:59
9. My Door Is Open (Kenner, Troiano) 5:55
Personnel:
Jim Fox: Organ, Drums, Keyboards, Vocals
Dale Peters: Bass, Percussion, Vocals, Vocals (bckgr)
Domenic Troiano: Guitar, Vocals, Vocals (bckgr)
Roy Kenner: Percussion, Vocals
Sheldon Kurland: Violin

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[SB] [80MB @320kbps]















(1973) Bang

Tracks:
1. Standing In The Rain (Bolin) 5:07
2. The Devil Is Singing Our Song (Bolin, Tesar) 4:22
3. Must Be Love (Bolin, Cook) 3:53
4. Alexis (Bolin, Cook) 5:09
5. Ride The Wind (Bolin, Kenner) 3:46
6. Got No Time For Trouble (Bolin, Tesar) 3:47
7. Rather Be Alone With You [Aka Song for Dale] (Kenner) 2:05
8. From Another Time (Bolin, Tesar) 4:00
9. Mystery (Bolin, Saliers, Tesar) 6:07
Personnel:
Jim Fox: Organ, Percussion, Piano, Drums, Keyboards, Vocals
Dale Peters: Bass, Percussion, Guitar (Bass), Vocals (bckgr), Fuzz Bass
Tommy Bolin: Synthesizer, Guitar, Vocals, Vocals (bckgr), Moog Synthesizer
Roy Kenner: Percussion, Vocals, Vocals (bckgr)

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[MR] [88MB @320kbps]















(1973) 15 Greatest Hits

Tracks:
1. Walk Away (Walsh) 3:36
2. Funk #49 (Fox, Peters, Walsh) 3:54
3. Midnight Man (Walsh) 3:26
4. The Bomber: Closet Queen (Fox, Peters, Walsh) - Cast Your Fate To The Wind (Guaraldi, Werber) 5:38
5. Stop (Ragovoy, Schuman) 11:42
6. Thanks (Johnston, Walsh) 2:20
7. White Man/Black Man (Peters) 5:28
8. Woman (Fox, Peters, Walsh) 4:37
9. Again (Walsh) 4:03
10. Take A Look Around (Cliburn, Carter) 5:53
11. Funk #48 (Walsh, Fox, Kriss) 2:47
12. Tend My Garden (Walsh) 5:40
13. There I Go Again (Walsh) 2:50
14. Ashes, The Rain And I (Walsh, Peters) 4:54
15. Collage (Cullie, Walsh) 4:01
Personnel:
Jim Fox: Organ, Drums, Keyboards, Vocals
Dale Peters Bass, Percussion, Vocals
Joe Walsh: Guitar, Keyboards, Vocals

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(2001) Reunion (Live In The Allen Theatre, Cleveland, Feb 2001; Bootleg)
Tracks:
1. Walk Away (Walsh) 4:26
2. Midnight Man (Walsh) 3:36
3. Take A Look Around (Cliburn, Carter) 6:05
4. Asshtonpark (Fox, Peters, Walsh) 2:40
5. The Bomber: Closet Queen (Fox, Peters, Walsh) - Cast Your Fate To The Wind (Guaraldi, Werber) 8:13
6. Garden Gate (Walsh) 3:21
7. Ashes, The Rain And I (Walsh, Peters) 4:21
8. Tend My Garden (Walsh) 6:11
9. Stop (Ragavoy, Schuman) 4:22
10. Personal Manager (?) 5:46
11. Lost Woman (Dreja, Beck, Relf, McCarty, Samwell-Smith) 9:37
12. Funk #49 (Walsh) 4:45
13. Rocky Mountain Way (?) 6:14
Personnel (provável):
Jim Fox: Organ, Drums, Keyboards, Vocals
Dale Peters Bass, Percussion, Vocals
Joe Walsh: Guitar, Keyboards, Vocals
Mark Avsec: Keyboards
(O disco não tem capa; nunca foi comercializado; a imagem estampada aqui serve apenas para ilustrar a postagem)

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[MR] [160MB @320kbps]















(2006) Mountain Winery (Saratoga, Califórnia, 8/9/2006; Bootleg)

Tracks:
1. Walk Away & Band Intros (Walsh) 5:17
2. Take A Look Around (Strong, Walsh, Whitfield) 6:33
3. Midnight Man (Walsh) 4:27
4. Asshtonpark (Fox, Peters, Walsh) 2:47
5. The Bomber (Fox, Peters, Walsh, Guaraldi, Werber) 8:18
6. Garden Gate (Walsh) 3:19
7. Ashes, The Rain And I (Walsh, Peters) 3:20
8. Tend My Garden (Walsh) 7:43
9. Stop/You’re Gonna Need Me (Ragovoy, Schuman, King) 12:25
10. Lost Woman (Dreja, Beck, Relf, McCarty, Samwell-Smith) 10:13
11. Funk #49 (Fox, Peters, Walsh) 4:27
12. Woman (Fox, Peters, Walsh) 3:36
13. Rocky Mountain Way (?) 6:27
Personnel:
Jim Fox: Drums, Percussion, Keyboards, Guitars, Vocals
Dale Peters: Bass, Percussion, Vocals
Joe Walsh: Guitars, Keyboards, Vocals
Billy Appeberry: Keyboards, Synthesizers
Gia Ciambetti: Backing Vocals
Robbyn Kimrssé: Backing Vocals
Stacy Michelle: Backing Vocals
(A informação sobre a existência do bootleg, a indicação do link correspondente, o atestado de qualidade da gravação [sinônimo de garantia; sua nota para o bootleg é 7] pertencem ao colaborador vitalício do blog, Celso Loos, conforme se vê nos comentários da postagem [obrigado, Celso]; e o link, contendo inclusive a artwork do registro, foi extraído do incansável blog [já fechou e reabriu incontáveis vezes, por causa da malfadada DMCA] Chris Goes Rock)

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[MR] [175MB @320kbps]


As fichas dos discos foram retiradas dos seus respectivos encartes e dos sites allmusic, Wikipedia e Answers.

Peter Greier – …Eat This! (2010)

DOWNLOAD -> HF / TB

Genre: Progressive Rock/Fusion
Country: Austria
pass: bunalti.com
320 kBps

IK.Multimedia.AmpliTube.v3.0.1.VST.RTAS.Incl.KeyGen-DYNAMiCS

AmpliTube 3. The New King of Tone.
More Gear. More Feel. More Power. More Tone.
There’s a new king in tone, and its name is AmpliTube 3. A massive upgrade of the leading guitar and bass tone gear modeling software, AmpliTube 3 raises the industry standard of sound variety, realism and creative power. If your recording or playing “rig” is lacking in that rich, lush expressive analog warmth, then you need to check it out. With over 160 precisely modeled pieces of vintage and modern gear available in one package, AmpliTube 3 is the ultimate tone gear collection for the player/producer/engineer suffering from tone angst.

AmpliTube 3 gives you more.

More Gear — Infinite Combinations.
AmpliTube 3 contains over 160 pieces of gear, more than double the amount of other packages, including models from the most sought-after vintage collections and modern day workhorses. You’ll get 51 individual stompboxes and effects, 31 amplifier preamp & power sections, 46 speaker cabinet models, 15 high end stage and studio mics, and 17 post amp rack effects. Plus, with the new AmpliTube 3 open architecture, you can add more packages as you need them, like AmpliTube Fender™ and Ampeg® SVX.
More Feel — True Dynamic Response.
AmpliTube 3 gear models give you THE most realistic playing feel — not just the tones — but the actual dynamic response of their hardware counterparts. Nothing comes closer to the feel and touch of playing through a real rig than AmpliTube 3. Plus, with IK’s proprietary VRM™ (Volumetric Response Modeling) technology, you can add ultra-accurate rotating speaker effects, free dual mic placement plus room ambience and response to custom craft your tone.
More Power — Creative Inspiration.
Face it — the better you sound, the better you play. AmpliTube 3 unleashes more creative power than ever, helping you to easily carve new, truly unique voicings for your guitar, bass, keyboard, drum and vocals. Our new creative effects let you create sounds you never heard before, and the new “drag & drop” effects configuration feature lets you quickly experiment with effects in the signal chain to get that totally unique sound.
More Tone — Every Sound you can Imagine.
AmpliTube 3 is the voice for your soul. With the largest collection of ultra-accurately modeled gear, creative effects and flexible routing features, you’ll never run out of sonic possibilities. Every sound you’ve heard, and ones you haven’t are here… your sound is in here.

System Requirements

Windows

Minimal: Pentium 1GHz / Athlon XP 1.33 GHz, 512 MB of RAM, Windows XP / Vista or later.

Suggested: Pentium 2.4 GHz / Athlon XP 2.4 GHz, 1 GB of RAM, Windows XP / Vista or later.

Supported Plug-in formats: VST, RTAS.

AmpliTube 2 RTAS requires Pro Tools 7.0 or later.

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Focusrite.Guitar.FX.Suite.VST.v1.0.2-ASSiGN

Focusrite's Guitar FX Plug-in Suite includes eleven professional VST/AU plug- ins, ideal for today’s guitarist. These include five of the world’s finest guitar amp models and four distortion pedal effects, all courtesy of Italian software company 'Overloud'; experts in the field of accurate Guitar Amp modeling. A 'hot tuna' guitar tuner and 'smart' hum remover are also provided.

The amp models include plug-ins based on the Vox AC30, Marshall JCM900, Fender Twin, MESA Boogie Rectifier and the Fender Bassman. The pedal models include plug-ins based on the Boss DS-1, the Ibanez Tube Screamer, the Electro Harmonix Big Muff and the Dunlop Fuzz Face.

The amp and pedal models utilise Overloud's renowned analogue modelling technology, which faithfully reproduces every detail of an analogue tone. It also ensures perfect reproduction of parameter behaviour, so you always feel like you're controlling the real hardware. With Overloud's analogue modelling technology, each component of the schematic has its own mathematical model. After this rather raw scientific step, the resulting tone is fine tuned by ear. Overloud don't, unlike many modelling companies, use standard widely available DSP techniques to obtain a tone that only vaguely resembles the original one. Instead, custom developed non-standard DSP techniques reproduce every detail
of the original tone.

Finally, each Guitar FX Suite plug-in provides a host of initial pre-sets, providing a number of great tones for you to audition immediately. You can also save and recall custom pre-sets, building a vast library of your own customised tones over time.

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Sobre a greve promovida pela apeoesp

Desculpem mas não vou deixar de colar uma postagem do blog do jornalista Reinaldo Azevedo, da Veja, sobre essa greve imbecil:

NÃO! OS QUEIMADORES DE LIVROS DE DILMA E BEBEL NÃO SALVAM NINGUÉM. ELES DÃO É PAULADAS NA CARA DE MULHERES POLICIAIS

sábado, 27 de março de 2010 | 17:38

Vejam esta foto. Viram?

Ela está em todos os blogs dos petralhas. Vagabundos que escrevem a soldo viram na imagem do fotógrafo Clayton de Souza, da Agência Estado, um momento sublime da solidariedade humana, verdadeira poesia em meio à guerra. Segundo eles, um dos comandados de Dilma e Bebel, a chefe da baderna e da depredação promovida pela Apeoesp, carrega um policial ferido. A imagem seria uma emblema da grandeza dos grevistas.

Pois é. Não se trata de UM policial, mas de UMA POLICIAL. Ela se chama Érica Cristina Moraes de Souza. O HOMEM QUE A CARREGA NÃO É UM DOS TONTONS-MACUTS DA BEBEL, NÃO! Trata-se de um policial.

Érica foi covardemente agredida por um dos marmanjos da Apeoesp: LEVOU UMA PAULADA NO ROSTO, COM FERIMENTOS SÉRIOS NO NARIZ E NA BOCA.

OS QUEIMADORES DE LIVROS DE DILMA E BEBEL TAMBÉM DÃO PAULADAS NA CARA DE MULHERES. E, no caso, Érica é uma mulher e tanto: veste um uniforme e tem a coragem de defender a segurança pública.

Não, canalhas!

Os “homens” de Dilma e Bebel não salvam ninguém!
Os “homens” de Dilma e Bebel quebram a cara de mulheres!

Até que Dilma não se desculpe por ter dado apoio público a Bebel, que admitiu fazer uma “greve política”, continua co-responsável pela arruaça. Assim, os arruaceiros continuarão a ser chamados aqui de “a tropa de choque de Dilma e Bebel”, “os queimadores de livros de Dilma e Bebel”, os “tontons-maCUTs de Dilma e Bebel”.

MAGIX Vandal Guitar Amp v1.101

Vandal is a unique virtual guitar and bass amplifier for PC and Mac that avoids working with simple impulse responses. Every individual step – each tube, every amplifier stage, even the speaker coils – is virtualized.Compare our sound to the others, and you'll hear a more nuanced and authentic result.

Vandal also offers detailed effects and stomp boxes (several overdrive and distortion effects, different compressor effects, EQ, chorus, phaser, wah-wah, delay, reverb, lo-fi and many more) and advanced microphone settings in an easy-to-use interface that lets you forget that you are using a software amplification.Vandal has a very low CPU consumption and can be hosted as a VST plug-in (Windows), or as a VST/AU plug-in.

Size: 13 MB

Format: VST

Download


_________________________________________________

AGIX.Vandal.Guitar.Amp.VST.v1.101.PROPER-ASSiGN

Vandal: Authentic. Powerful. Alive.

Vandal is the only guitar and bass amplifier of its kind that brings the characteristic sound and the playing feel of a real hardware setup together with the advantages of a software to your computer!

From the tubes to the speaker coils, every step and component of the amplifier is virtualized and, thanks to the Physical Modeling technology, creates unparalleled great sound – whether for a recording session in a studio, during band rehearsal or for a live performance!


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Celemony Melodyne Studio Edition 3.2.2.2

Melodyne studio – Polyphonic magic. Melodyne studio is the largest member of the Melodyne family. With this most powerful version you are no longer limited to the editing of monophonic melodies, but you can also handle complex textures and even polyphonic material, such as chords or song mixes!* Furthermore, Melodyne studio is a complete audio multi-tracker with an unlimited number of tracks and a high resolution of up to 32 bit and 192 kHz. Recording artists and engineers have known about Melodyne for years. For a long time, though, it was only monophonic vocal and instrumental parts that could benefit from Melodyne’s much-admired editing algorithms: algorithms capable of everything from minor corrections of intonation to extreme pitch shifting and from the subtle modification of grooves to drastic time stretching.

Melodyne studio 3 introduces this magic to full chords and complex audio signals as well; so now harmonic material (such as rhythm guitar or piano parts) can be transposed (without altering the tempo), slowed down or sped up (without altering the pitch) and even quantized.* What’s more, all this can be done in real time with the highest sound quality for which Melodyne is famous. You might already know pitch shifting and time stretching from other programs, yet with Melodyne, even extreme alterations still sound natural and convincing

Key features:

• * Handles also polyphonic material (eg. chords and mixes).
• * Complete multi-track arrangements (unlimited number of tracks).
• * Superb resolution: up to 32 bit, 192 kHz.
• * Melody Manager to browse audio files.
• * Can import Liquid instruments and Melodyne Sound Library.
• * ‘Correct Pitch’ and ‘Quantize Time’ macros.
• * MelodyneBridge and ReWire integration.

Celemony.Melodyne.Studio.Edition.v3.2.2.2.Incl.Keygen-AiR
@Uploading.com: Download

Led Zeppelin: Live at London’s Arena 2007

Led Zeppelin: Live at London’s 02 Arena 2007

CD1 01. Intro 02. Good Times Bad Times 03. Ramble On 04. Black Dog 05. In My Time Of Dying 06. For Your Life 07. Trampled Under Foot 08. Nobody’s Fault But Mine 09. No Quarter CD2 10. Since I’ve Been Loving You 11. Dazed And Confused 12. Stairway To Heaven 13. The Song Remains The Same 14. Misty Mountain Hop 15. Kashmir 16. crowd 17. Whole Lotta Love 18. crowd 19. Rock And Roll Part 1 Part 2

Rainbow - The Final Cut 1985 VHSRIP

Recorded in between 1982 and 1984.
RITCHIE BLACKMORE guitar
ROGER GLOVER bass
JOE LYNN TURNER vocals
DAVID ROSENTHAL keyboards
CHUCK BÜRGI drums

Tracklist:

1. Spotlight Kid
2. Death Alley Driver
3. I Surrender
4. All Night Long
5. Can't Happen Here
6. Difficult To Cure
7. Can't Let You Go
8. Power
9. Since You've Been Gone
10. Stone Cold
11. Street Of Dreams

Playing Time: 56:32

Link1 Link2 Link3 Link4 Link5 Link6

ATTENTION: Join all files with hjsplit

Mokafix FX

Mokafix.Audio.Sentor.VST.v1.0.RC1.Incl.Keygen-ASSiGN

Sen'tor is modelled after a vintage overdrive pedal featuring a warm     
                                                                          
distortion chain and an advanced EQ. This EQ is a key element in this effect,
                                                                          
as it let you sculpt the sound and obtain a wide variety of tones. Each EQ 
                                                                          
knob has an influence over a full set of parameters regarding filters      
                                                                          
frequencies and relative volumes. What makes is so special is that each knob
                                                                          
may influence the same parameters differently. The "mid" EQ knob can produce
                                                                          
a scooped sound when turned fully down, giving you access to that classic  
                                                                          
heavy sound. Versatility is the key word here, and you will find yourself  
                                                                          
tweaking it and make it suitable for very different genres, from blues to  
                                                                          
hard rock or jazz.

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Mokafix.Audio.RectiFuzz.VST.v1.2.Incl.Keygen-ASSiGN

A few effects managed to create a consensus among guitar players in terms
                                                                          
of quality and usability... but very few ever created as much division as  
                                                                          
this famous fuzzy tone blending unit Rectifuzz is based on. Some love it,  
                                                                          
some hate it, but you can't get indifferent to the insane distortion provided
                                                                          
by this big stomp effect. Rectifuzz won't put an end to this debate but    
                                                                          
rather heat it up further more. Based on the circuitry of that famous pedal
                                                                          
with a blend knob, Rectifuzz will provide you with a heavy, wide tone to fuel
                                                                          
your metal amp or add some ringy grit to your funk riffs or lead solos. 

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Mokafix.Audio.Muffin.Rider.VST.v1.2.Incl.Keygen-ASSiGN

Muffin Rider is based on a famous transistor fuzz pedal featuring two gain
                                                                          
stages and a tone knob. After 40 years of success, this pedal is still     
                                                                          
considered as a must when it comes to bold, loud sustain. The unique       
                                                                          
architecture of this distortion let it autobias enough to get nice warm    
                                                                          
sustaining notes, and boosts and clips the high and low ends through the two
                                                                          
gain stages in a way that provides that characteristic creamy tone.        
                                                                          
 From pink psychedlic to smashing grunge tones, this effect is a must in any
                                                                          
guitar player's arsenal. 

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Mokafix.Audio.Lamp.Driver.VST.v1.0.RC1.Incl.Keygen-ASSiGN

Lamp Driver is based on an analogue pedal featuring a tube to provide a  
                                                                          
warm smooth saturation. It actually features two gain stages, one opamp based
                                                                          
and one tube based. Main gain is actually provided by the opamp stage; the 
                                                                          
signal is then hi passed before passing through a tube stage. The result is a
                                                                          
smooth and responsive tone enhancing your playing dynamics. Two EQ variations
                                                                          
are provided to respect teh orginal versions, and give you access to more  
                                                                          
tone options.

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Mokafix.Audio.The.Bat.VST.v1.0.RC1.Incl.Keygen-ASSiGN

The Bat is an faithful emulation of one of the most famous guitar        
                                                                          
distortion pedals. The Bat will provide you with a wide range of distorted 
                                                                          
sounds from Blues to Punk rock. Thanks to a unique gain stage design, the Bat
                                                                          
gain knob will let you add sustain by enhancing a specific frequency range 
                                                                          
and push it into clipping. A diode clipper will then softclip the result once
                                                                          
more and extend the dynamic range. The tone knob acts like a classic low pass
                                                                          
filter, and let you change the low pass frequency.

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Mokafix.Audio.Kung.Fuzz.VST.v1.2.Incl.Keygen-ASSiGN

Fuzz effect is probably one of the most simple, raw effects possible. While
                                                                    
an overdrive aims at pushing the next element in the chain to saturation
                                                                    
(usually an amp), a fuzz will amplify and saturate internally. The output
                                                                    
signal has a regular level, but sounds highly distorted. So making something
                                                                    
new in the fuzz domain is not obvious and it is not everyday a plugin can
                                                                    
claim clipping your sound in a new way. Most software Fuzz will soft clip the
                                                                    
signal, and slightly shift it to give it some bias.                     
                                                                    
Kung Fuzz and Kung Fuzz 68 are modeled after the famous Fuzzface? analog
                                                                    
unit. The dynamic response of that device differs from simple clipping in the
                                                                    
way it biases at high input levels (see graph B). The output sound is more
                                                                    
nasal, emphasizing odd harmonics. You can compare it to the difference  
                                                                    
between a  minimoogish square and the most narrow pulse. Do not hesitate to
                                                                    
feed it with a monophonic sound (guitar, voice, simple waveform) to hear this
                                                                    
phenomenon clearly. Kung Fuzz 68 enhances the fuzz possibilities by letting
                                                                    
you set the amount of bias, and soften the clipping treshold to make it more
                                                                    
versatile and better fit other sound sources such as bass guitar or synths.


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Mokafix.Audio.EZ-Driver.VST.v1.2.Incl.Keygen-ASSiGN

Distortion pedals often kick overtones out of clipping limits. Playing
                                                                    
chords in a distortion can become frustrating. Based on a famous analogue
                                                                    
circuit carved by guitar players, EZ-driver delivers a warm distortion while
                                                                    
letting higher frequency pass through. EZ-Driver is based on a famous opamp
                                                                    
distortion that is reknown for its warm tone and the way it respects your
                                                                    
guitar natural timbre. The tonal quality of this effect makes it suitable for
                                                                    
blues rock or jazz. The Drive knob affects both the tone and distortion by
                                                                    
changing the first stage opamp feedback path. From slight crunch to more
                                                                    
pronounced distortion this distortion respect playing dynamics and gives you
                                                                    
access to a variety of warm tones to spice up your signal chain without 
                                                                    
sacrifying your instrument specific qualities.


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Mokafix.Audio.D-Plus.&.D-380.VST.v1.0.RC1.Incl.Keygen-ASSiGN

 D-plus is based on a famous distortion used in huindreds of recordings. Its
                                                                    
classification can be subject to controversy since it is capable of smooth
                                                                    
overdive sounds and can be pushed to more extreme clipped distortion.   
                                                                    
The secret of this effect lies in the distortion stage design, which makes
                                                                    
the Gain knob affect both tone and distortion amount. Thanks to this design,
                                                                    
the Gain knob (Distortion) let you access a wide variety of tones and makes
                                                                    
it one of the simplest and yet more versatile distortion effect.        
                                                                    
The D-380 is based on another effect using the same.

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Mokafix.Audio.Companero.Fuzz.VST.v1.2.Incl.Keygen-ASSiGN

 Transistor based Fuzz pedals like the Fuzzface? hard clip and hard bias the
                                                                    
input signal. But why biasing hard in one direction when you could do it in
                                                                    
both direction one after the other using two transistors? This is probably
                                                                    
the question a japanese engineer asked himself when designing that rare fuzz
                                                                    
Companero VST was inspired by. This pedal will provide a very distorted sound
                                                                    
and react instantly to your playing. A gain parameter was added to get the
                                                                    
most out of the double transistor structure. Low gain will let you benefit
                                                                    
from the first auto-biasing.

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Mokafix.Audio.Brass.Buster.VST.v1.2.Incl.Keygen-ASSiGN

Bass guitar distortion requires specific features, and this VST based on a
                                                                    
famous vintage transistor fuzz pedal will give you a few controls to get a
                                                                    
good range of fuzz tones for your bass guitar or anything you want to feed
                                                                    
it with.                                                                
                                                                    
This effect has a preamp that is split into two paths. One goes to the
                                                                    
output stage to be mixed to the wet signal through the "bass volume" knob.
                                                                    
The second signal is sent through a complex distortion stage that will
                                                                    
drive, rectify and further drive the signal.                            
                                                                    
The "Sensitivity" knob let you change the gain of the signal sent into that
                                                                    
stage and access a variety of tones, from ring mod distortion to weird  
                                                                    
extreme fuzz.                                                           
                                                                    
The EQ section let you change the filter color ("Brass" switch) and add
                                                                    
some unfiltered distortion to the filtered signal ("Harmonic" switch).  
                                                                    
Finally the "Brass Volume" let you set the amount of distorted signal. This
                                                                    
very specific way to let you mix the distorted signal to the preamp dry 
                                                                    
signal makes this pedal very suitable for bass guitar.                  
                                                                    
Although this effect was initially designed for bass, it's unique tone made
                                                                    
it quite popular among guitar player or even keyboardist, thanks to the 
                                                                    
possibility to mix dry and wet signals.                                 
                                                                    
Electronic musicians will also be surprised by the twisted sound this 
                                                                    
vintage effect can provide if fed with obssessive basslines or lush pads. 

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Mokafix.Audio.Baboon.VST.v1.0.RC1.Incl.Keygen.200TH.RELEASE-ASSiGN

Baboon is based on a rare vintage fuzz pedal. Different things make this
                                                                    
effect pretty specia. The effect features two channels.                 
                                                                    
The Treble Booster channel actually bypasses the fuzz stages and tone 
                                                                    
stack, and features its own gain knob.                                  
                                                                    
The Fuzz channel engages the full circuitry and delivers a heavy fuzz tone,
                                                                    
thanks to its two transistor based fuzz stages.                         
                                                                    
Fuzz channel tone stack has two modes. In "A mode", the Tone knob acts as a
                                                                    
regular hi cut filter. In "B mode" the Tone stack scoops the mid frequencies
                                                                    
and the Tone Knob let you adjust the volume of the frequencies above 7kHz in
                                                                    
the mix. Mode B provides that bold scooped tone to fuel any guitar track.
                                                                    
The fact the pedal features a gain knob for each channel let you switch
                                                                    
between each channel without having to adjut the input gain. 


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