terça-feira, 28 de julho de 2009
Myosis Myosisfooger Ringmodulator VST 1.0
Leslie Sanford Sanford Reverb VST 2.0 And Super Phaser VST v1.0
Leslie Sanford Sanford Reverb VST 2.0 And Super Phaser VST v1.0 | 5,72 MB
The Sanford Reverb is a true stereo reverb. It is capable of simulating everything from small rooms to giant cavernous spaces. Its sound is dense, clean, and crisp making it perfect for most situations. The Sanford Super Phaser is a dual phaser that can create everything from subtle phase shifting sounds to deep resonating sounds. It has two independent LFOs and an envelope follower giving you plenty of modulation possibilities. Leslie.Sanford.Sanford.Reverb.VST.v2.0-peace-out Leslie.Sanford.Sanford.Super.Phaser.VST.v1.0-peace-out @RapidShare.com: Download
@DepositFiles.com: Download
EnergyXT 2.5.1 VST Standalone (PC - LINUX - MAC)
EnergyXT 2.5.1 VST And Standalone (PC - LINUX - MAC) | 5 MB, PC | 5 MB, LINUX | 6 MB, MAC
Record, edit and mix your music with powerful, yet easy to use features. Designed from the ground up with songwriters and musicians in mind, creating music on your computer has never been easier, faster and more fun.
Features:
* Sequencer with multi-track audio recording
* Built-in synthesizer/sampler, drum-track and multi effect processor
* Pro editing features
* Works on all operating systems
* No loading time
* Runs from a memorystick
Whats new in version 2.5:
* Welcome screen with project templates
* New mixer view with collapsible EQ and Effect sections, graphical view of equalizer and handy "quick add" buttons for adding Insert and Send effects
* Sequencer with "quick add" button for creating new tracks with Audio, Drums or Instruments in one click
* MP3 import & export (requires lame executable)
* Audio processing: normalize, delete, trim, fade in/out, reverse
* Beatslice, autoslice audio & cross fade 2 audio clips
* Synthesizer/sampler adds new preset browser with 32 factory presets
* Drum sampler gets new easy view with drumspads, full implementation of EQ, Insert and Send effects for individual drums
* New audio effects: bit crusher, multi-mode filter, compressor and high quality guitar amp
EnergyXT.v2.5.1-DOA
EnergyXT.v2.5.1.VST-DOA
@RapidShare.com: Download
@DepositFiles.com: Download
EnergyXT.v2.5.1.LINUX-DOA
@RapidShare.com: Download
@DepositFiles.com: Download
EnergyXT.v2.5.1.Mac.OSX-DOA
@RapidShare.com: Download
@DepositFiles.com: Download
DRUMBOX 1.0a Beta

DrumBox is a wave sample based 16 step drum pattern sequencer. It has eight channels to which drum samples can be assigned. DrumBox reads 16 bit, 44.1 kHz, mono or stereo .wav files. Patterns can be between one and eight bars long.
Just like HammerHead, DrumBox has general settings for tempo (duh!) and shuffle, but also separate settings for volume, distortion (with adjustable threshold), overdrive and pitch (±12 semitones) on each channel. DrumBox can also be controlled by MIDI and has MIDI sync support.
There's not much to say about the interface, more than that it's clean and pretty self-explanatory. I wish that the LED buttons that are "on the beat" had been distinguished from the others though (compare: HammerHead's yellow and blue buttons), now you actually have to think for a second before you add a new note to the pattern.
DrumBox does not support "loops", i.e. samples that are stretched or compressed to fit the tempo. There is also no way to have a sample stop another sample (like HammerHead's closed hihat stops the open).
Unfortunately DrumBox has a few annoying bugs. One is that when you select New Song on the file menu, the default pattern shows on the screen (it looks like the screenshot above). Thus, it seems like a number of samples are already loaded even though they are not. Another bug is that sometimes when you assign a new sound file to one of the channels, the settings (volume, distortion or overdrive) on another channel changes.
The most annoying thing, however, is the somewhat erratic "stream to disk" feature. The resulting wave file (DrumBox streams to a 44.1 kHz stereo .wav file) looped correctly most of the times (at least when I opened a saved file and saved it to wav without playing it first), but DrumBox has a peculiar habit of adding beats of its own to your loop. These "ghost beats" seem very hard to get rid of too...
In addition to these bugs, I also experienced some glitches in playback, especially when switching between programs or moving/resizing the program window. That's not much of a problem though.
This program is in Beta, which can explain the number of bugs. We won't be seeing any upgrades though, an enhanced version is sold under the name masterBEAT and is distributed by Masterbits. The price is approx. $40.
REQUIREMENTS
* You need DirectX to run this program (you probably have it already).
- Download size: 983 kb
- Unzipped size: 1.15 Mb
Download it from the owner´s site where you will find drum samples:
http://www.threechords.com/hammerhead/drumbox.shtml
segunda-feira, 27 de julho de 2009
CAMPO HARMÔNICO?
Quando músicos e educadores falam em campo harmonico já se sabe que se referem aos acordes formados através de cada grau de uma escala, de uma tonalidade.
No entanto esse termo é errado, - e aqui a abservação de que a mera troca de nomes não constitui em si uma mudança de algum conceito - tanto que em nenhum outro lugar é usado esse termo. Ou alguém por aí já leu em algum livro escrito "harmonic field" ou "harmonic space" ou outro "harmonic anything"?
O problema é que esse termo -campo harmonico- não diz o principal: justamente TONALIDADE.
Se eu tocar, por ex, || G7M | Cm7 | Ab7M | B7M | Fm7 || estou tocando um campo harmonico, ou seja, esses acordes aleatórios são tocados em sequencia e então acontece uma harmonia - basicamente uma sucessão de acordes, embora sem um sentido sonoro adequado ou agradavel - mas não determinam tonalidade alguma.
O que sempre vemos nos livros em qualquer lugar do mundo, é o termo "Diatonic Chords" isto é "Acordes Diatonicos".
Eu estou nessa "guerra" por causa desse nome há anos - e isto não me faz [e nem eu me sinto ] melhor que ninguém. É claro que perguntando-se para qualquer músico ou educador ele vai saber tudo isso.
É a mesma coisa que acontece, as vezes, com o acorde maior com sétima maior:
A C# E G# => A7M
e volta e meia vejo ele cifrado como A7+. Aí a coisa fica ainda pior pois o sinal + significa acorde aumentado e aí a sétima vira menor:
A C# E# G => A7/#5
Nos anos 70 e 80 tinha uma revista que se chamava Violão e Guitarra [Vigu para os intimos] e esse tipo de cifragem era comum nessa revista. Lembro de outra muito legal: G3b [ em que a forma correta é G/B] que significava sol maior com a terça no baixo. Legal né? Você lá tocando violão prá impressionar a menina e aí aparece um acorde A3b [ forma correta: A/C#] e você o que faz? Vai lá no fim da revista prá ver o desenho do dito acorde e depois tenta explicar que a revista é que está errada, e tals .....
O meu toque é esse: quando for se referir aos acordes construidos a partir de uma determinada escala, diga/escreva: acordes diatonicos e sempre que for escrever um acorde cifrado, escreva-o de maneira que qualquer músico em qualquer lugar do mundo possa toca-lo sem precisar de tradução.
Não se esqueça que a música é a linguagem universal.
Bends up!
No entanto esse termo é errado, - e aqui a abservação de que a mera troca de nomes não constitui em si uma mudança de algum conceito - tanto que em nenhum outro lugar é usado esse termo. Ou alguém por aí já leu em algum livro escrito "harmonic field" ou "harmonic space" ou outro "harmonic anything"?
O problema é que esse termo -campo harmonico- não diz o principal: justamente TONALIDADE.
Se eu tocar, por ex, || G7M | Cm7 | Ab7M | B7M | Fm7 || estou tocando um campo harmonico, ou seja, esses acordes aleatórios são tocados em sequencia e então acontece uma harmonia - basicamente uma sucessão de acordes, embora sem um sentido sonoro adequado ou agradavel - mas não determinam tonalidade alguma.
O que sempre vemos nos livros em qualquer lugar do mundo, é o termo "Diatonic Chords" isto é "Acordes Diatonicos".
Eu estou nessa "guerra" por causa desse nome há anos - e isto não me faz [e nem eu me sinto ] melhor que ninguém. É claro que perguntando-se para qualquer músico ou educador ele vai saber tudo isso.
É a mesma coisa que acontece, as vezes, com o acorde maior com sétima maior:
A C# E G# => A7M
e volta e meia vejo ele cifrado como A7+. Aí a coisa fica ainda pior pois o sinal + significa acorde aumentado e aí a sétima vira menor:
A C# E# G => A7/#5
Nos anos 70 e 80 tinha uma revista que se chamava Violão e Guitarra [Vigu para os intimos] e esse tipo de cifragem era comum nessa revista. Lembro de outra muito legal: G3b [ em que a forma correta é G/B] que significava sol maior com a terça no baixo. Legal né? Você lá tocando violão prá impressionar a menina e aí aparece um acorde A3b [ forma correta: A/C#] e você o que faz? Vai lá no fim da revista prá ver o desenho do dito acorde e depois tenta explicar que a revista é que está errada, e tals .....
O meu toque é esse: quando for se referir aos acordes construidos a partir de uma determinada escala, diga/escreva: acordes diatonicos e sempre que for escrever um acorde cifrado, escreva-o de maneira que qualquer músico em qualquer lugar do mundo possa toca-lo sem precisar de tradução.
Não se esqueça que a música é a linguagem universal.
Bends up!
sexta-feira, 24 de julho de 2009
Able.ton.Suite
Ableton.Suite.v8.0.4-AiRISO
Û Ableton Suite is the XL version of Ableton Live. Û
Û Suite 8 gives you all of the features in Live 8 plus Û
Û SOUND, with a radically new Library packed with Û
Û beautiful new sounds and a wealth of useful Û
Û resources. Suite 8 contains 10 Ableton instruments Û
Û including synths, a sampler, electric and acoustic Û
Û drums, mallets, numerous sampled instruments and the Û
Û new, reworked Operator and Collision. Û
Û Û
Û Û
Û Key features Û
Û Û
Û Multitrack recording up to 32-bit/192 kHz Û
Û Û
Û Nondestructive editing with unlimited undo Û
Û Û
Û Powerful MIDI sequencing of software and hardware Û
Û instruments Û
Û Û
Û Advanced warping and real-time time-stretching Û
Û Û
Û Library with over 1600 expressive sounds, each with Û
Û versatile control options Û
Û Û
Û A comprehensive selection of built-in audio and MIDI Û
Û effects Û
Û Û
Û A wide range of software instruments Û
Û Û
Û Instrument Racks for simple management of complex Û
Û instrument setups Û Û Û
Û Drum Racks for intuitive and responsive beat-making Û
Û Û
Û Effect Racks for professional-grade mastering, mixing Û
Û and creative sound processing Û
Û Û
Û New groove engine; apply and extract grooves in real Û
Û time Û
Û Û
Û Construction kits containing loops and phrases in a Û
Û number of styles Û
Û Û
Û Û
Û 1000s of single-device presets: simple components for Û
Û making new sounds and exploring synthesis Û
Û Û
Û Song templates with pre-configured tracks and routing Û Û Û
Û Supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files Û
Û Û
Û VST support; automatic plug-in delay Û
Û compensation Û
Û Û
Û REX file support plus built-in audio to MIDI slicing Û
Û Û
Û Video import and export for scoring, video warping Û
Û Û
Û Simple MIDI mapping plus instant mapping for selected Û
Û hardware Û
Û Û
Û Full ReWire support; runs as Slave or Master Û
Û Û
Û Multicore and multiprocessor support Û
.part1.
.part2.
.part3.
.part4.
.part5.
.part6.
.part7.
sábado, 18 de julho de 2009
CAKEWALK.MUSIC.CREATOR.V5-ADDICTION
Music Creator 5
Make your creative dreams a reality and achieve polished, professional recordings from your home computer with Music Creator 5—no previous recording experience required! Music Creator 5 guides you through initial set-up, making it easy for you to plug in your instrument or microphone and immediately start recording. Get professional sounding results using Music Creator’s powerful tools, instruments, and effects. Creating music on your PC has never been this easy, fun, or affordable—all from Cakewalk, makers of the #1 selling music software in the world.
Download Links:
part1
part2
part3
part4
part5
part6
part7
terça-feira, 14 de julho de 2009
Guitar Books
Gary Willis - Bass - Progressive Bass
Tony Macalpine (Super Guitarist Series)
Albert Lee
Book - Bass Method - Steve Bailey & Victor Wooten - Bass Ext
Brian May Star Licks Guitar Series
Dave La Rue (essential bass concepts)[Reh booklet]
Extreme Drumming - Marco Minneman
Frank Gambale - Chop Builder (Video Tab Booklet)
Greg Howe - Hot Rock Licks
Guitar - (Lesson) Allan Holdsworth style
Guitar Lesson - Frank Gambale - Book Of Sweep Picking
Guitar Lesson - Richie Kotzen - Rock Chops
Jazz Method Guitar - Allan Holdsworth -Analysis The Style
Joey Tafolla - Shredding
John Patitucci - Electric Bass 2
Jordan Rudess Keyboard Wizardry
JORDAN RUDESS TUTORIAL TECNIQUES
Marco Minneman Independence Ex
Michael Fath - Hard Rock Tapping Studies
Mike Stern's Monster II-Vs (How To Play Guitar - Jazz)
Nathan East
Patrick Rondat_Virtuosite & velocite a la guitare
Paul Gilbert - Flying Dog
Paul Gilbert - Intense Rock Exercises
Paul Gilbert - King Of Clubs
Paul Gilbert - Terrifying Guitar Trip
Randy Coven - Chopped Sewage
Richie Kotzen - Hi Tech Rock Guitar (Booklet)
Slap It - Super Slap Bass Lesson By Tony Oppenheim
Stuart Hamm - Lesson 2 - Deeper inside the bass [Videobooklet]
Victor Wooten - Classical Thump - Tab And Staff Spartiti
Frank Gambale - MONSTER LICKS
Tony Macalpine (Super Guitarist Series)
Albert Lee
Book - Bass Method - Steve Bailey & Victor Wooten - Bass Ext
Brian May Star Licks Guitar Series
Dave La Rue (essential bass concepts)[Reh booklet]
Extreme Drumming - Marco Minneman
Frank Gambale - Chop Builder (Video Tab Booklet)
Greg Howe - Hot Rock Licks
Guitar - (Lesson) Allan Holdsworth style
Guitar Lesson - Frank Gambale - Book Of Sweep Picking
Guitar Lesson - Richie Kotzen - Rock Chops
Jazz Method Guitar - Allan Holdsworth -Analysis The Style
Joey Tafolla - Shredding
John Patitucci - Electric Bass 2
Jordan Rudess Keyboard Wizardry
JORDAN RUDESS TUTORIAL TECNIQUES
Marco Minneman Independence Ex
Michael Fath - Hard Rock Tapping Studies
Mike Stern's Monster II-Vs (How To Play Guitar - Jazz)
Nathan East
Patrick Rondat_Virtuosite & velocite a la guitare
Paul Gilbert - Flying Dog
Paul Gilbert - Intense Rock Exercises
Paul Gilbert - King Of Clubs
Paul Gilbert - Terrifying Guitar Trip
Randy Coven - Chopped Sewage
Richie Kotzen - Hi Tech Rock Guitar (Booklet)
Slap It - Super Slap Bass Lesson By Tony Oppenheim
Stuart Hamm - Lesson 2 - Deeper inside the bass [Videobooklet]
Victor Wooten - Classical Thump - Tab And Staff Spartiti
Frank Gambale - MONSTER LICKS
The Beatles Songs Ebooks
The Beatles Songs Ebooks
(ebook) beatles_tabs.pdf
(ebook) The Beatles - All Songs 1962-1974.pdf
(ebook) The Beatles - complete songbook for guitar.pdf
BERKLEE COLLEGE OF MUSIC: MUSIC THEORY. HARMONY 1, 2, 3 & 4
BERKLEE COLLEGE OF MUSIC: MUSIC THEORY.
HARMONY 1, 2, 3 & 4
File: 8,5MB
Format: PDF (Compressed with RAR)
http://rapidshare.com/files/24099921/Music_Theory_Harmony.rar
segunda-feira, 13 de julho de 2009
Portable Guitar FX
Portable Guitar FX BOX v2.6

Se precisar de um multiefeitos para guitarra num pc menos atual:
Guitar FX BOX v2.6|Portable|1 Mb.
The program allows to create different effects (efo, distorshn, feyzer) with in a number of options. Also with its help you will be able to adjust a guitar through a computer. Beautiful, comfortable interface. Intended for electric guitars.

Se precisar de um multiefeitos para guitarra num pc menos atual:
Guitar FX BOX v2.6|Portable|1 Mb.
The program allows to create different effects (efo, distorshn, feyzer) with in a number of options. Also with its help you will be able to adjust a guitar through a computer. Beautiful, comfortable interface. Intended for electric guitars.
sábado, 4 de julho de 2009
Premeditando o Breque - 1981

- 01 - essa é a verdade.mp3
- 02 - conflito de gerações.mp3
- 03 - brigando na lua.mp3
- 04 - marana.mp3
- 05 - marcha da kombi.mp3
- 06 - feijoada total.mp3
- 07 - samba absurdo.mp3
- 08 - a esperança e a ultima que morre.mp3
- 09 - nunca.mp3
- 10 - choro.mp3
- 11 - gosto também se discute.mp3
- 12 - luisa.mp3
- 13 - fim de semana.mp3
Download
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