sexta-feira, 29 de janeiro de 2010

XYZ (Ex Yes/Zeppelin): After The Crash. New Pipers, Virginia Water, Surrey, UK 1981. (STU/Soundboard :: 320 kbps)



XYZ (Ex Yes/Zeppelin) - After The Crash. (Midas Touch 72911)
Recorded Live at New Pipers, Virginia Water, Surrey, UK - Unknown date, 1981.
STU/Soundboard -> Bootleg Silver CD :: CBR 320 kbps.

01. Instrumental 1 (Studio Demo 81 XYZ)
02. Instrumental 2 (Studio Demo 81 XYZ)
03. Untitled 1 (Studio Demo 81 XYZ)
04. Untitled 2 (Studio Demo 81 XYZ)
05. Easily Lead (Shaken & Stirred 1985 Outtake Robert Plant)
06. Pink And Black (Shaken & Stirred 1985 Outtake Robert Plant)
07. Trouble Your Money (Shaken & Stirred 1985 Outtake Robert Plant)
08. Hip To Hoo (Shaken & Stirred 1985 Outtake Robert Plant)
09. Sixes And Sevens (Shaken & Stirred 1985 Outtake Robert Plant)
10. Hip To Hoo / Doo Doo A Do Do / Trouble Your Money (Shaken & Stirred 1985 Outtake Robert Plant)
11. Rude World (Rough Mix 1 Page / Plant)
12. Rude World (Isolated Tracks Page / Plant)
13. Rude World (Rough Mix 2 Page / Plant)

Personnel: Jimmy Page :: Chris Squire :: Alan White :: Robert Plant.

Notes: When Page/Plant were going to rehearse together with White/Squire for a new band, the UK music press was ignoring the news. After all, Zep and Yes where regarded then, in the New Wave time of the early eighties, as a dinosaurs from a bygone era. American Creem magazine was much happier, and ran a spread on the new band named XYZ (for Ex-Yes-Zeppelin). The rehearsals went for a week or so (note that already then they have forgotten JPJ phone number) before calling it off. About 15 years or so after, when these recordings first saw thheght of day on this CD - fans were happy to point out the great riff of Mind Drive - surely one of Page's genious riffs? Well... not exactly. Yes Keys to Ascention came out in 1997, and Mind Drive was there to prove that this was a pieace of music that was brought to XYZ by Chris Squire :-). <-(from original info file).





thanks to vivalesbootlegs

Jethro Tull - Watchers on the Storm. Congresgebouw, Den Haag (The Hague), Netherlands 1980. (Double CD :: Ex Soundboard :: 320 kbps)



Jethro Tull - Watchers on the Storm. (Flashback 01.93.0201)
Recorded Live at Congresgebouw, Den Haag (The Hague), Netherlands - March 16, 1980.
Excellent Soundboard Recording -> Bootleg Silver CD :: CBR 320 kbps.

Disc 1
01. Intro
02. Dark Ages
03. Home
04. Orion
05. Dun Ringil
06. Elegy
07. Old Ghosts
08. Somethings On The Move
09. Aqualung
10. Peggys Pub
11. Jack In The Green
12. King Henrys Madrigal Heavy Horses
13. Flute Improv
14. Songs From The Wood

Disc 2
01. Hunting Girl
02. Jams Odonnells Jig
03. Thick As A Brick
04. Too Old To Rock
05. Cross Eyed Mary
06. Minstrel In The Gallery
07. Locomotive Breath
08. The Dambusters March

** StormWatch Tour **

Personnel: Ian Anderson :: Martin Barre :: Dave Pegg :: Mark Craney :: Eddie Jobson.

Notes: Can't say enough about this one!! The quality is the best of any FM source I have knowledge of. This was a great tour with the introduction of Dave Pegg, bringing with him instrumentals and material from "Fairport Convention"--and later other Fairport members would play in the "tull' line up as well/this tour sadly ended an era, as after the tour John Evan, Barriemore Barlow, and David Palmer leave "Jethro Tull"/many people feel that "Jethro Tull" died with the 70's, but I feel many great things have happened, and many talented musicians have stepped up to the bat. <-(Info taken from farmonthehighway.homestead.com/main.html) ----- From the CD boot "WATCHERS ON THE STORM". Originally the boot also included 2 acoustic performance from Ian and Martin on the Howard Stern show (11-14-91 & 11-17-87). Those are not included here. If there is interest I'll seed those later. <-(from original info file).

Thanks to vivalesbootlegs

domingo, 24 de janeiro de 2010

MAGIX Samplitude 11.0

MAGIX Samplitude 11.0 | 200 MB

Samplitude is purely native PC software and therefore independent of proprietary audio hardware. Basically, that means the program works just as well on a laptop as on an audio workstation with dozens of inputs and outputs. Even the standard version offers you everything you need for your productions: Up to 128 tracks and 64 busses at a sample rate of up to 384 kHz. Samplitude provides all of the freedom you need to choose your own system. MME, ASIO*, and WDM support all important driver models.


Workflow improvements
The new version 11 also features improvements to workflow and operation suggested by users to make Samplitude even more intuitive and easier to customize.

Docking
Manager, visualization, audio quantization, icon bars, and the time display window may now be coupled/docked with different areas of the project interface, or freely arranged on the screen.

Track colors
Tracks may be colored directly via the track header. These colors are then displayed in the mixer for faster orientation within the project .

Hybrid Audio Engine
The Hybrid Audio Engine includes a combination of a Low Latency and High Latency Engine. The Low Latency Engine reduces response times when calculating track effects and enables Live Monitoring at lower latencies. The integrated High Latency Engine, on the other hand, brings about more effective system utilization, which allows for the integration of sophisticated object effects, object auxiliaries & surround functions. The Hybrid Audio Engine is based on the ASIO driver system and, thanks to its low input/output delay at the same performance levels, optimizes the system especially when working with software instruments and other plug-ins. The combination of the two operating styles (with latency compensation of course) is also possible. This makes the software perfectly suitable for current requirements of the production process.

Object-oriented editing
As well as the classic track-related editing options, Samplitude also provides object-level editing. This provides new opportunities for mixing and sound design. The audio material may be split into any number of objects and moved on the track freely. Every object can be edited with fades and effects, e.g. equalizer, timestretching, pitchshifting, or VST plug-ins. Even aux sends are possible at object level. This means that the aux send is only active for this object, making complicated automation unnecessary. The object editor offers real-time access to an object’s settings. All settings at the object level are calculated in real-time during playback; no new files are written to the hard drive. This saves space on the hard drive and allows settings to be changed again at any time. For example, you may discover that individual words from a vocal track require a pitch adjustment, so you could split each word, even every syllable into a single object. Each of these individual objects may be corrected with the real-time pitch correction function or edited in terms of volume and panorama or with fades and crossfades. Every object even features a complete range of effects and inserts for DirectX and VST plug-ins.

essentialFX
essentialFX provides a complete suite of new, alternative basic effects for dynamics, modulation, and other frequently used sound processes on a single screen. A lot of attention has been paid to modern design, effective display of the individual parameters, and as such to the simplicity of overall operation. This appearance of “understatement” conceals high-quality algorithms developed for daily work in the studio.

sMax11
“sMax11″ is a new limiter/maximizer that provides must-have services for mastering tasks. Basically, the function is a hard/brick wall limiter with input amplification. Specification of input amplification allows the loudness of the audio signal to be increased easily. At the same time, the sMax11 ensures that the signal does not exceed the flexibly set output level. The control at the basis of the modification may also be configured by setting the release time and a specific mode like “Hard Clipper”, “Aggressive”, or “Balanced”.

EQ116
The “EQ116″ in Samplitude 11 provides a 6-band equalizer that works with either oversampling or phase-linear algorithms. Filters on up to six freely selectable frequency bands may be activated to adjust the sound of the sample or of an object. This also enables broadband elevations in high and bass values as well as narrowband corrections to the frequency response to be carried out. Three different filter setups may also be selected to make settings directly during monitoring, without loading or saving complete presets.

New VST instruments
Do you like experimenting with sounds? Revolta 2 is your sound laboratory! This high-performance analog synthesizer makes everything possible, from grainy bass lines to lead sounds and complex sound patterns! Underscore your personal musical style with sound developments that have never been heard before. Thanks to the video tutorials included, you can get started right away even without any prior skill.

Polish your beats however you like. The new version of the popular BeatBox features revised and improved features to make it a flagship drum computer. Besides the completely new sound engine, even more drum kits, innumerable options for sound formation, and high-quality effects, the plus version of BeatBox 2 has even more to offer: bonus drum kits, full automation of all parameters for exciting sound envelopes, and an integrated effects section!

MAGIX Samplitude 11.0

In addition to Revolta 2, the virtual analog synthesizer, and BeatBox 2, Vita provides a complete array of sample-based instruments at your service. The tools found in Vital Instruments offer various sound tests and playing methods for e-piano, acoustic guitar, bass as well as brass and string instruments.

MAGIX.Samplitude.v11.0-UNION
@RapidShare.com:
Part 1 | Part 2 | Part 3

@Easyshare.com:
Part 1 | Part 2 | Part 3

quinta-feira, 21 de janeiro de 2010

Eric Clapton feat. Pete Townshend - Rainbow Again





Personnel: Eric Clapton Guitar, Vocals, George Terry Guitar, Vocals, Carl Radle Bass, Jamie Oldaker Drums, Dick Sims Keyboards, Sergio Pastora Rodriguez Percussion, Yvonne Elliman Backing Vocals, Marcy Levy Backing Vocals

Guest Musician: Pete Townshend (Guitar) on "Crossroads" and "Layla".

Eric Clapton - Rainbow Again
Recorded Live at Rainbow Theatre, London, England - April 29, 1977
VG Audience Recording : CBR 320 kbps
Sound Quality: 6

Disc 1

01. Hello Old Friend
02. Sign Language
03. Alberta
04. Tell the Truth
05. Knockin' On Heaven's Door
06. Further On Up the Road
07. Can't Find My Way Home
08. Nobody Knows You
09. One Night

Disc 2

01. Key to the Highway
02. I Shot The Sheriff
03. Have You Ever Loved a Woman
04. Steady Rollin' Man
05. Layla (with Pete Townshend)
06. Crossroads (with Pete Townshend)



EC cd1
EC cd2

sexta-feira, 15 de janeiro de 2010

Berklee College of Music - Harmony Vol. 1 to 4

Berklee College of Music - Harmony Vol. 1 to 4

Berklee College of Music - Harmony Vol. 1 to 4

Book 1
PDF - 78 Pages - 2.07 MB
Book 2
PDF - 66 Pages - 2.14 MB
Book 3
PDF - 61 Pages - 12.9 MB
Book 4
PDF - 62 Pages - 2.32 MB

Download

quinta-feira, 14 de janeiro de 2010

Arranging and Composing for the Small Ensemble (David Baker)























Product Description

This professional manual lets you share the secrets of David Baker's success. Baker explains his practical working techniques for piano trio, jazz quartet, four- and five-part writing, chord substitutions, voicings, bass patterns and much more.

Paperback: 176 pages
Publisher: Alfred Publishing Co., Inc.; Revised edition (January 1988)

PDF 4.53MB

DOWNLOAD

Password:
http://themusicianslibrary.blogspot.com/

The Allman Brothers Band

The Allman Brothers Band


The Allman Brothers Band é uma banda de Macon, Geórgia, nos Estados Unidos da América, nomeadaa pelo Hall da Fama do Rock and Roll como os principais arquitetos do rock sulista estadunidense.

A banda foi formada em 26 de março de 1969 em Jacksonville, Florida com Duane Allman, Gregg Allman, Dickey Betts, Berry Oakley. Butch Trucks e Jai Johanny "Jaimoe" Johanson.

Formado originalmente em 1969, foram descritas dois anos depois por George Kimball, jornalista da revista Rolling Stone, como o "a melhor banda de rock and roll que este país produziu nos últimos cinco anos". Reconhecida por sua capacidade de improvisação impressionante, cujo melhor exemplo se encontra no álbum At Fillmore East, a banda foi premiada com onze discos de ouro e cinco de prata entre 1971-2005. A revista Rolling Stone listou o The Allman Brothers como um dos 100 Maiores Artistas de Todos os Tempos em 2004. A banda continua a gravar e realizar turnês até hoje.

Line-up:
Duane Allman - slide guitar (1969-71)
Gregg Allman - vocals, organ
Dickey Betts - guitar (1969-2000)
Berry Oakley - bass (1969-72)
Butch Trucks - drums
"Jonny" Jai Jai Johanson - drums (1969-80, 1989-present)
Chuck Leavell - keyboards (1972-76)
Lamar Williams - bass (1972-76)
Dan Toler - guitar (1978-82)
Frankie Toler - drums (1980-82)
Warren Haynes - guitar (1989-97, 2000-present)
Johnny Neel - keyboards, harmonica (1989-90)
Allen Woody - bass (1989-97)
Marc Quinones - percussion (1989-present)
Jack Pearson - guitar (1997-99)
Oteil Burbridge - bass (1997-present)
Derek Trucks - guitar (1999-present)
Jimmy Herring - guitar (2000)


Discography:


(1969) The Allman Brothers Band
Download [SB] [75MB]



(1970) Idlewild South
Download [SB] [41MB]



(1971) At Fillmore East
Download Disc 1 [SB] [33MB]
Download Disc 2 [SB] [37MB]



(1972) Eat A Peach
Download [SB] [95MB]



(1973) Beginnings
Download [SB] [57MB]



(1973) Brothers And Sisters
Download [SB] [57MB]



(1975) Win, Lose Or Draw
Download [SB] [52MB]



(1976) Wipe The Windows, Check The Oil, Dollar Gas
Download Part 1 [SB] [95MB]
Download Part 2 [SB] [47MB]



(1979) Enlightened Rogues
Download [SB] [56MB]



(1980) Reach For The Sky
Download [RS] [47MB] link by Franz




(1981) Brothers Of The Road
Download [RS] [48MB] link by Franz



(1990) Seven Turns
Download [SB] [66MB]



(1991) Shades Of Two Worlds
Download [SB] [72MB]



(1991) Live At Ludlow Garage: 1970
Download Disc 1 Part 1 [SB] [95MB]
Download Disc 1 Part 2 [SB] [9MB]
Download Disc 2 Part 1 [SB] [95MB]
Download Disc 2 Part 2 [SB] [2MB]



(1992) An Evening With The Allman Brothers Band
Download Part 1 [SB] [95MB]
Download Part 2 [SB] [5MB]



(1994) Where It All Begins
Download [SB] [76MB]



(1995) An Evening With The Allman Brothers Band - 2nd Set
Download [SB] [79MB]



(1997) The Allman Brothers Band 2/70 Fillmore East
Download [SB] [66MB] (re-uploaded)
Link cedido por Jack Sparrow do The Musical Box



(2000) Peakin' at the Beacon
Download [SB] [67MB]



(2003) Hittin' The Note
Download Part 1 [SB] [95MB]
Download Part 2 [SB] [54MB]



(2003) Live at the Atlanta International Pop Festival: July 3 & 5, 1970
Download Disc 1 Part 1 [SB] [95MB]
Download Disc 1 Part 2 [SB] [86MB]
Download Disc 2 Part 1 [SB] [95MB]
Download Disc 2 Part 2 [SB] [71MB]



(2004) One Way Out
Download Disc 1 part 1 [SB] [95MB]
Download Disc 1 part 2 [SB] [71MB]
Download Disc 2 Part 1 [SB] [95MB]
Download Disc 2 Part 2 [SB] [74MB]



EXTRAS:


(1992) Live Unplugged Los Angeles
Download [SB] [78MB]



(1992) The Fillmore Concerts
Download Concert 1 [SB] [88MB]
Download Concert 2 [SB] [95MB]


(1994) Hell & High Water: The Best of the Arista Years
Download [SB] [59MB] by Maddy Lee




(1998) Mycology: An Anthology
Download [SB] [82MB] by Maddy Lee



(2003) Instant Live, 7-26-03 Pittsburgh

CD 1
Download [SB] [73MB] ou
Download Alternativo [MF] Links by Maddy Lee

CD2
Download [SB] [64MB] ou
Download Alternativo [ZS] Links by Maddy Lee

CD 3
Download [SB] [71MB] ou
Download Alternativo [FS] Links by Maddy Lee



(2003) Sweet Melissa
Download [SB] [47MB] Link by José Renato



(2006) Eat A Peach (De Luxe Edition)
Download Disc 1 Part 1 [SB] [95MB]
Download Disc 1 Part 2 [SB] [61MB]
Download Disc 2 Part 1 [SB] [95MB]
Download Disc 2 Part 2 [SB] [76MB]



(1991) True Gravity
Download [SB] [92MB] link by Maddy Lee



(1993) Hot, High & Hallucinating
Download [SB] [96MB] link by Maddy Lee



(1994) Lakeside Amphitheater
DownloadPart 1 [SOA] [95MB]
DownloadPart 2 [SOA] [10MB]



(1999) Maple Leaf
Download Disc 1 [SB] [98MB]
Download Disc 2 [SB] [91MB] links by Maddy Lee



(2004) Instant Live Atlanta
Download Disc 1 [SB] [98MB]
Download Disc 2 [SB] [58MB]
Download Disc 3 [SB] [48MB] links by Maddy Lee

original post from collective-collection.blogspot

Coverdale/Page (1993)


Album gravado em 1993 e único fruto da breve união desses 2 grandes nomes do rock nos anos 70. Foi muito elogiado pelo crítica, e muitos pensaram que o Led Zeppelin voltaria naquele ano com Coverdale no vocal e Jason Bonham na bateria. No entanto, isso jamais aconteceu.

Setlist:

01. Shake My Tree - 4:50
02. Waiting on You - 5:15
03. Take Me for a Little While - 6:17
04. Pride and Joy - 3:32
05. Over Now - 5:22
06. Feeling Hot - 4:10
07. Easy Does It - 5:51
08. Take a Look at Yourself - 5:02
09. Don't Leave Me This Way - 7:52
10. Absolution Blues - 6:00
11. Whisper a Prayer for the Dying - 6:54

Download

segunda-feira, 11 de janeiro de 2010

PortableGVOXEncore v5.0.1









Portable GVOX Encore v5.0.1 (Size: 31,6 MB)

Complete Scoring Features, Auto Part Extraction, MIDI and VSTi Playback Keep You in Control

Whether you play directly into Encore or transcribe your MIDI files, you get accurate notation and beautiful printouts every time. You can extract parts, transpose for different instruments, and play your music as you originally conceived it. Encore graphically displays and plays back dynamic marks, repeats, multiple endings, pedal marks, or any MIDI controller.

Flexible Page Layout and Guitar Tablature Expand Your Options

Encore scores can be fine-tuned with a simple move of the mouse. On-screen palettes let you enter dozens of marks and symbols. Lyrics and text are easily added. Powerful features such as page layout control, TrueType® and PostScript® support, polyphonic part voicing, and editable expressions palettes provide an inexhaustible set of capabilities for presenting your music on paper. Instantly transcribe your music into guitar tablature with correct fingering and guitar fret diagrams.

Computer Speed, Professional Results

When you put aside your pencil and staff paper and compose and arrange your music with Encore, you achieve a new level of professionalism and productivity. Encore has become the musician’s choice in notation software because it allows you to create and publish everything from simple lead sheets to symphonies in less time and with more control.


Hotfile
or
Hotfile
or
Uploading

domingo, 10 de janeiro de 2010

Transcribe!8.00.3

Prá quem gosta de ter a ultima versão.
Esse arquivo foi pego como torrent e tem apenas o executável.
Não sei se já contém o serial.
For those who like to have the latest version. This file was taken as torrent and it is only the executable. I do not know it already contains the serial.










The Transcribe! application is an assistant for people who sometimes want to work out a piece of music from a recording, in order to write it out, or play it themselves, or both. It doesn't do the transcribing for you, but it is essentially a specialised player program which is optimised for the purpose of transcription. It has many transcription-specific features not found on conventional music players.

It is also used by many people for play-along practice. It can change pitch and speed instantly, and you can store and recall any number of named loops. There is some advice about this in Transcribe!'s help, under the heading "Various Topics".


Download

sexta-feira, 8 de janeiro de 2010

O lutador que desafiou alguém da plateia

Já havia postado este video mas coloco novamente por que o youtube tinha tirado do ar. E é muito bom.

sexta-feira, 1 de janeiro de 2010

Frases antológicas: Tim Maia

Tava navegando pela net e achei o que segue abaixo (o cara era uma figura):

Tim Maia, nascido Sebastião Rodrigues Maia, foi um cantor e compositor brasileiro que alcançou o sucesso a partir da década de 1970. Destacou-se pelo pioneirismo em trazer para a MPB o estilo soul de cantar. Com a voz grave e carregada, tornou-se um dos grandes nomes da música brasileira, conquistando grande vendagem e consagrando sucessos.


Algumas frases de Tim Maia:


"Dos artistas do Rio, metade é preto que acha que é intelectual e metade é intelectual que acha que é preto."

"O Roberto Carlos fala com as plantas, e depois o Tim Maia que é maluco."

"Este país não pode dar certo. Aqui prostituta se apaixona, cafetão tem ciúme, traficante se vicia e pobre é de direita."

"Não saio com mulheres famosas pois não pago acima da tabela."

"Eu poderia ser ministro da Cultura, e não esses que andam por aí. Sou um músico que conhece a realidade. Eu já comi churrasquinho de gato, tomando ácido com Ki-Suco."

"Não fumo, não bebo e não cheiro, mas às vezes minto um pouquinho."

"Qualquer experiência religiosa é prejudicial ao ser humano. E qualquer experiência de extravaso é benéfica ao ser humano."

"Maconha não chega a ser nem um entorpecente, é um estupeficante."

"Tudo é tudo e nada é nada."

"O Brasil é uma terra de mestiço pirado querendo ser puro-sangue."

"Passou de branco, preto é. Não existe este negócio de mulato. Mulato pra mim é cor de mula".

"É só começar a fazer songbook que o cara falece. Esse negócio de biografia também é um pé na cova."

"A demagogia é a pior das mentiras, porque é uma mentira mentirosa."

"O mundo só será bom no dia que todo o dinheiro acabar. Mas que não me falte nenhum enquanto isso não acontece."

"Fiz uma dieta rigorosa. Cortei álcool, gorduras e açúcar. Em duas semanas, perdi 14 dias"

"O problema do gordo é que quando ele beija, não penetra. E quando penetra, não beija"

"O segredo do meu sucesso é o equilíbrio: metade das minhas músicas é esquenta-sovaco e a outra metade é mela-cueca"

"A diferença entre eu e o Dicró é que no meu show todo mundo vai e eu não vou; no dele, ele vai, mas não vai ninguém."

"O que nós temos de melhor no Brasil são a música, o futebol, o jogo do bicho, a batata doce e o baseado - temos que exportar isso. E ainda temos o Maguila, que vai matar o Mike Tyson. De susto, mas vai."

"Só gravei bossa nova para sacanear o João Gilberto."

"Tudo que sei sobre tóxicos aprendi nos livros."

"Eu gostaria de fazer uma homenagem ao meu urologista, o Dr. Edson, que me deixou ereto para o resto da vida."

"Com os acordes que tem em uma música do Tom Jobim dá para fazer umas cinqüenta."