sábado, 13 de fevereiro de 2010

De La Mancha - COMPLETE BIG BUNDLE (Peace-Out)

De La Mancha - COMPLETE BIG BUNDLE (Peace-Out)


sidearm is a very flexible compressor with many options to tweak the sidechain signal for very precise control. It can perform downwards, upwards and parallel compression and limiting, in peak or RMS flavours and with lookahead if you want it. But the sidechain control is where sidearm really gets to business. Whether you choose an internal sidechain or an external audio source, you can modify the sidechain audio with a multi-mode, adjustable-slope filter (up to 96 dB/octave) and adjust the mid/side, stereo balance and gain. You can also gate the control signal so it only kicks in above a certain level. This brings a level of control that will allow you to define exactly when the compressor kicks in, by isolating specific frequencies, stereo positions and volume levels in the sidechain. There is even a ‘sidechain listen’ option so you can hear what the compressor hears in the sidechain.
Example uses could be to isolate a kick sound in a loop with a LP filter and 100% mid signal, so the compressor ducks the bass channel every kick. You can create an effective de-esser by isolating sibilance with a steep BP filter, so the compressor reduces volume at these points. The gain and gate are useful to create fast and choppy drum compression and also useful for controlling upwards compression triggers. The mix control allows mighty parallel compression, with no phasing between the wet and dry signals, for an unbeatable combination of compressed drums and preserved transients.
Not to miss out the other options that include linked/unlinked stereo detection, brickwall limiter, super fast attack and release with low
frequency distortion cleaning and it just wouldn’t be a de la Mancha plugin without a dirt knob. It also has stereo level, peak and reduction metering with adjustable sensitivity.


· Multi-function compressor with tweakable sidechain and comprehensive metering
· Flexible controls allow use as a compressor, limiter or maximiser
· Sidechain signal can be filtered, adjusted for mid/side, stereo balance and gain for precise triggering
· Internal or external sidechain routing
· 6 mode filter (LP, HP, BP, notch, peak a & b) adjustable from 12 to 96 dB/Octave to isolate frequencies in the sidechain
· Sidechain listen option – you hear what the compressor detects in the sidechain
· Wet/Dry mix control allows blending of dry uncompressed signal for NY style parallel compression
· Dirt knob adds saturation for subtle flavour or full-on filth
· Attack / Release curve can be linear or non-linear
· Stereo input detection can be linked or unlinked, with max or average level detection
· Distortion ‘cleaning’ option for very short release times
· Input detection can be Peak or RMS level with adjustable window
· Optional limiting on final output
· Look-ahead defined by user in ms
· Metering for each band and combined output, covers stereo input, output and gain reduction with adjustable sensitivity. All meters show actual and peak levels
· Presets covering all functions and many configurations loudness warning

sidearm is capable of significantly increasing the volume of audio material and some of the presets are much louder than others. Please take care when scanning through presets or tweaking/automating parameters, as you may get sudden increases in volume that could damage your ears or equipment


bathtub is more than just a simple compressor. It does multi-band compression, multi-layer parallel compression, series compression, mid/side compression, Left/Right compression, RMS/Peak detection, side-chaining, look-ahead, limiting & maximizing and has comprehensive metering and clip counting.
bathtub is really 2 flexible and configurable stereo compressors that can be routed to be in series or parallel, can be fed the input signal
split into high/low frequencies or full band, and can perform as different styles of compressor, limiter or maximizer to produce a range of
flavours and effects. The metering shows you visually what is happening too, so you can see how much compression and gain you are gettingsome examples of configuration could include;

- parallel RMS and peak compressors
- series RMS into peak compressor
- series peak into RMS compressor
- series compressor into limiter
- parallel mid and side compressors
- parallel left and right compressors
- 2 band compression, mono low, wider high
- parallel compressors different settings

but there are many other combinations to try


· 2 Band multi-function compressor with comprehensive metering
· Flexible controls allow use as a compressor, limiter or maximiser
· Can be used as a single band compressor, dual band compressor, dual parallel compressor or dual series compressor
· 2 bands can be split high / low freq or full spectrum
· 2 bands can be in parallel or series
· Fully adjustable frequency split point with adjustable overlap/gap of bands
· Each band has a full set of independent compression controls for different compression flavours in each
· Each band has stereo balance for independent Left and Right channel compression
· Each band has mid/side stereo narrow/width control, which can be used to narrow the low frequency and spread the high, or have independent

mid/side compression
· Either or both bands can use sidechaining to drive the compressor from an external signal
· Either or both bands can be muted to help with sound design or save CPU in single band mode
· Attack / Release curve can be linear or non-linear
· Stereo input detection can be linked or unlinked
· Input detection can be filtered to reduce distortion at short release times
· Input detection can be stereo average or max level
· Input detection can be Peak or RMS level with adjustable window
· Optional soft limit at final output
· Look-ahead defined by user in ms
· Wet/Dry mix control allows blending of dry uncompressed signal for NY style parallel compression
· Metering for each band and combined output, covers stereo input, output and gain, gain reduction and clip indicator/counter, with adjustable sensitivity. All meters show actual and peak levels


dirtbox is an effect plug-in designed to compress, distort and modulate your audio into a whole new filthy world, from subtle warmth to dynamic destruction. It’s arsenal of dirty bombs cover parallel compression, many flavours of dirt and filth, bit crushing, sample rate dropping and ring modulation. Add to that a 4 way XY pad and 2 tempo-sync LFOs and you can modulate up to 6 parameters to really throw that filth around the place. Time to get dirrrrrrrrrrty…


- Fully featured compressor, with parallel dry audio for a huge sound
- 3 banks of dirt, each offering 18 flavours of filth with adjustable levels and wet/dry control
- 1 to 16 bits and 1.0 to 44.1kHz sample rate let you get as crushed and crappy as you want
- Ring modulation offers 12 tonal variations and 11 different waveforms, with adjustable frequency
- 4 way XY pad allows assignment of any 4 of 10 parameters to each corner, with;
- 0-100% modulation across opposite corners of the pad
- bar graph shows modulation amount in each corner
- Increase minimum % level for tighter range
- 2 tempo-sync LFOs to modulate puck in the X and Y axis
- 2 tempo-sync LFOs each have;
- 14 waveforms including two types of random
- tempo-sync settings from 1/16 to 16 beats, including multiples of 2 and 3
- depth (0-100%) and phase (-360 to +360 degrees)
- bar graph showing real-time modulation
- Each LFO can also modulate an additional parameter from a choice of 10, with LFO1 also able to modulate LFO2
- All modulated parameters have visual indicators of real-time modulation
- Midi CC and Midi Learn options
- over 50 presets covering subtle to painful


Octav8r is a 7-node pitch-shifter that generates 6 differently pitched stereo versions of the audio input added to a ‘dry’ non-shifted signal to generate a richly layered sound. Each node has its own volume envelope and variable state filter plus send controls to vibrato, chorus, delay and reverb effects. The envelopes can be triggered by midi, audio gate or looped in sync with the host tempo.
The primary idea of Octav8r is to create multiple pitch-shifted layers of the incoming audio. With some twiddling you can get creative with panning to generate separation around the stereo field, use envelopes to bring each node in and out at different times and use chorus, delay and reverb to make each node sit differently in the mix. You can use the tempo-sync envelope trigger to create rhythmic gating or pulsing and the envelope toggles to make only some nodes modulated whilst others stay constant. Most controls have midi CC and midi learn support, so with some automation or midi knob twiddling, you can make the output really move around.
You can read a review of Octav8r by traxmusic by clicking here


· 6 pitch-shifting nodes, with octave shifting (-3 to +3) and semitone shifting (-12 to +12, to 0.001 semitones)
· All nodes have independent volume, pan, ADSR envelope, variable state filter, vibrato, chorus, delay and reverb controls
· Node 0 is the ‘dry’ audio at incoming pitch, which also has pan, ADSR, chorus, delay and reverb
· Envelopes can be triggered by midi note, audio gate, a tempo-sync loop or bypassed
· Envelope contours can be changed and set to restart or pick-up at retrigger
· Mix level can be adjusted between dry and pitch-shifted nodes
· Each node can be fine tuned for pitch shift method and buffer size
· Each node, envelope and effect can be switched off to save CPU
· Midi CC support and midi learn for most controls
· 38 presets
· Multi-out version for hosts that can support this feature


thr33some is a multi-band stereo tool, to allow you to widen or narrow specific frequencies in your mix. Typical use would be to make bass sounds mono whilst progressively spreading higher frequencies, but abuse and experimentation will yield some interesting effects too. Thr33some has 2 methods of stereo spread and with gain and pan per band you have total control over all 3 bands. You can also make each band full spectrum to get 3 full layers and control in and out gain with metering to keep levels under control. There is also a multi-out version for individual processing of each band in your DAW.


· 3 band stereo widener/narrower
· Split bands into 3 frequency ranges, or choose 3 full spectrum layers
· Zero phasing band splits using inversion rather than crossover
· Mid/Side processing per band
· Delay based width control per band
· Stereo balance and gain per band
· Stereo out and multi-out (3x stereo) versions
· In and out gain controls
· Metering for in and out levels to allow balancing
· All control parameters named and mapped to midi CC
· Presets covering all functions and many configurations


unstable likes to mess around with your audio pitch, with 3 subtle pitch modulation modes to simulate the unpredictable but lovable pitch
instability of an old tape machine or an analogue synth. It doesn’t only do subtle though, you can also put it in 'insane' mode if you'd rather just f**k things up


- 3 modes of continuously random pitch modulation
buzz – rapid, fuzzy modulation
wobble – medium, jerky modulation
drift – slow, gentle modulation
- adjustable frequency and level for each modulation mode
- master level mode to adjust overall subtlety of effect
- wet / dry mix level control
- insane mode – removes all subtlety and smacks your pitch up
- all controls mapped to midi CC values


pitchfork is a 3 band pitch shifter / modulator, covering everything from subtle doubling to total pitch destruction. Each band can be shifted in pitch and has its own tempo sync LFO for modulation madness or subtle wandering. You can split the bands into low, mid and high ranges, or leave all 3 as full spectrum bands to double or treble up the original audioMulti-band pitch-shifting can be useful to lower the bass frequencies of a kick drum or raise the sizzle on a cymbal in a drum loop, or you could automatically add bass and sub bass to any sound The LFO’s allow many ways to modulate the pitch in each band, so you could use it for subtle tape deck modulation, rising or falling effects into breakdowns, or plain crazy pitch mayhem if you’re the sort of person who lists a frying pan amongst your instruments

Erratic 2

erratic 2 is a drum sample player with many randomising and velocity sensitive options to make any drum pattern sound different on each loop. It can be used to add realism or surrealism depending on how you want to set it up. At the core you have a 15 slot drum sampler with 6 velocity layers per slot, each layer can be played according to velocity, cycled (round-robin) or randomly triggered. To vary things up a bit you can determine the hit probability and hit repeat probability for each slot and add a random factor for the velocity, pan and swing for each hit.In addition to the velocity layers, this update adds velocity-sensitive decay envelopes for volume&filter cut-off, as well as velocity sensitivity to pitch and filter cut-off. Another new feature is the hit repeat probability, with delay time, repeat velocity and velocity sensitive feedback. The step-sequencer is replaced by a more flexible midi / piano-roll triggering, which allows better management of note precision, long patterns and different time signatures. Improvements have been made to give 4 choke groups across all samples, better mute/solo options, sample reverse, sample normalisation, MIDI out, support for 32 bit wavs and more samples than ever before.


- Plays any 16, 24 or 32 bit stereo / mono WAV files from RAM for low CPU
- 15 sample slots, each triggered by user-definable midi note
- 6 velocity layers per sample slot, can be selected by velocity, round-robin or random
- 4 choke groups, each slot can be assigned to a group and be cut by a group
- Per sample slot parameter modulation includes;
- Hit probability
- Swing randomising
- Hit repeat probability, with adjustable delay time, repeat velocity and velocity sensitive feedback
- Velocity randomisation
- Pan randomisation
- Velocity sensitive pitch
- Velocity sensitive volume decay envelope with adjustable contours
- Low pass filter with velocity sensitive cut-off
- Velocity sensitive cut-off decay envelope with adjustable contours
- Midi out
- Mute and solo for each sample slot
- Sample reverse
- Sample slot normalisation
- Selectable mono/stereo and quality level for low RAM systems
- Multi-out version has 15 stereo outputs for routing to individual mixer channels in your host
- Single-out version available where host does not support multi-out plug-ins
- 1480 samples (306 MB) covering velocity sampled acoustic kits, vintage electronic, glitch, jazz, world and esoteric noises
- over 40 presets covering various kits and technique examples


Impakter is a vintage drum module plugin containing 320 samples of original drum sounds generated on analogue synths and drum machines. It’s simple and fun to use with a few advanced features to give some variation and randomisation on every loop.
Gear used to generate and process the samples:
Analogue synths: Korg MS20, Roland Juno60, Gakken SX-150
Analogue drum machines : Yamaha MR-10, Korg KPR-77, Antonelli Organ 2377 rhythm box, Mattel Synsonics
Analogue processing: Electro Harmonix Micro synth, Mam VSR3 spring reverb, Lexicon reverb, Boss GE-10 equalizer, Tube compressor, analogue VCA compressor,Vintage synths: Yamaha TX81-Z FM synth


· 320 original electronic drum samples generated on vintage hardware synths and drum machines
· 4 modules for kick, snare, hats and percussion sounds
· Each module can host 2 samples and trigger either depending on user defined probability
· 2 levels of randomising can be assigned to each modules’ volume, pan, decay and pitch for variation every loop
· Boomer module has resonant low pass filter and dirt control
· Smacker module has resonant band pass filter and dirt control
· Tweeter module has tempo-sync repeat function with hold
· Lazer module has tempo-sync delay function with damping
· 2 midi triggers for Smacker for differently pitched sounds
· 3 midi triggers for Lazer for differently pitched sounds
· 2 midi triggers for Tweeter for different decay envelopes
· 2 stereo outputs for separate post processing
· Global envelope decay control
· 52 presets covering a range of sounds and styles


subhuman is a specialized 2 Osc synth for creating powerful sub bass, either for low down basslines, or sub-bass kick drums and drops. subhuman has been updated to add a pitch envelope, contoured graphical envelopes, note-on sync, waveform display and oscillator phase. It also now has a pure sine oscillator for Osc1, which is generated by real-time math to avoid interpolation and give a pure signal
By playing notes several octaves below middle C, subhuman will create a deep sub bass from the pure sine wave generated by Osc1. You can add to this with a different waveform on Osc2, detuned, sync’d and out of phase to get an extra layer of sound. Use the envelopes to shape the volume, pitch and LFO profile, each one has multiple contours for each stage to get just the right effect. The tempo-sync LFO can make the filter wobble or sweep and the overdrive will add some dirt. Drum mode removes the sustain stage of the envelopes to give you a percussive sound on each note, used with the pitch envelope to get that classic drum machine kick


- 2 oscillators with independant volume, detune and phase
- Osc2 has 11 different waveforms
- Osc2 can be sync'd to Osc1
- note-on sync option
- resonant LP filter
- tempo sync LFO to modulate LP filter cut-off, 5 waveforms, note-on sync, depth&phase
- ADSR volume envelope
- ASR envelope for pitch and LFO
- all envelopes can have each section with a different contour
- graphical display of envelopes and waveforms
- drum mode removes sustain section of envelopes
- Overdrive for more dirt
- octave selector to reduce master pitch for simple layering
- midi CC / midi learn on all controls
- mono/poly options with envelope retrigger and portamento


jellyfish is a 4 oscillator synth with multiple modulation methods between the oscillators and of their various parameters which guarantees plenty of movement in the sound. This is great for evolving pads, wobbly bass, vibrant leads or just plain strangeness. Using addition, subtraction, phase difference, ring modulation or phase distortion, the oscillators can modulate each other to get a wide variety of sounds. 2 tempo-sync LFOs and an ADSR envelope can all modulate this inter-osc modulation, as well as pitch, filter cut-off and each other. A pair of resonant filters and a tempo-sync delay complete the deal


· 4 oscillators arranged in pairs, with each pair able to modulate each other
· 9 inter-osc modulation methods, including phase distortion, phase difference and ring modulation
· ADSR envelope per oscillator pair, with unlimited values and definable contours
· 2 resonant low pass filters with flexible routing
· 2 tempo-sync LFOs with 16 waveforms and adjustable phase
· LFOs can modulate the inter-osc modulation, pitch and filter cutoff for each pair
· LFO2 can modulate LFO1
· 1 ADSR envelope can modulate as per the LFOs and modulate both LFOs
· Tempo-sync delay, with damping and mix level
· Oscillator and LFO note-on sync
· 11 waveforms per oscillator
· Midi learn / Midi CC parameters defined
· 50+ presets by runagate


metamorph is a waveform morphing synth with a bunch of envelopes, LFOs and onboard effects to guarantee movement on even the most vanilla note Each oscillator can morph through a selection of waveforms in tempo sync or modulated by an envelope. It can also step through the waveforms, make each cycle a new waveform or even just stick with one waveform if you want. Throw in pitch modulation, 5 envelopes, 2 LFO's, a ring mod / 3rd audio osc, variable state filter, distortion, delay and an arpeggiator and that held note will never sound the same again


- 2 morphing oscillators with 11 waveforms, 16 morph stages and 5 morphing modes
- 3rd audio oscillator in combination with ring modulator
- 2 LFO's (Filter cutoff, Ring Mod)
- 3 AHSDR envelopes (Amp, Filter, Wavemorph)
- 2 ASR envelopes (both LFO's)
- both LFOs have 19 waveforms with adjustable phase and depth and can be synced to note-on messages
- all 5 envelopes have 13 contours and can be retriggered or free running
- Pitch can be modulated by any of the 3 ADHSR envelopes or either LFO
- Pitch can be set to drift, analogue style
- Variable state filter, 6 modes, up to 4 stages and variable response curve
- Distortion, 20 modes, wet/dry level and volume control
- Arpegiator, tempo sync, 6 modes, selectable number of octaves and note length
- Ring modulation with dedicated LFO, 9 modes, 11 waveforms and wet/dry mix
- Delay, tempo sync with feedback, damp and wet/dry controls
- Midi CC and midi learn
- 50+ presets by runagate



PASS: vstclub.com

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